My Week in Movies, 2016 Week 5

Normally around this time of year I’d be desperately attempting to hoover up as many unseen Oscar nominees as possible in anticipation of the forthcoming Academy Awards ceremony that, more likely than not, I won’t actually watch given it finishes here at roughly 5am on a Monday morning (would it kill them to move it to Saturday night, really?). However this year I find myself somewhat unmotivated to do so, given how little interest I have in many of the films in contention. Of the 8 nominees for Best Picture I’ve so far seen just three (The Martian, Mad Max: Fury Road and Bridge of Spies). I’d quite happily see the likes of The Big Short, Room and Spotlight, but none of them strike me as films that are only suited to the big screen, so I feel almost obliged to simply wait them out until I can see them much more inexpensively within the comfort of my own home, especially given my recent reading of the novel Room upon which the film is based, which is very good and comes highly recommended from me, but with the story so fresh in my mind I just don’t think the film would have the required effect. The only film nominated for much that I’ve any real interest in seeing is The Revenant, as I’m certain that won’t be quite as effective back home, but thus far my attempts to seek it out have resulted in a faulty projector, a refunded ticket and a wasted half day’s holiday taken from work.
So as late February approaches I find myself caring increasingly less about what films and film-makers will be awarded much of anything come the big night. Amongst the other major categories the likes of Carol, Brooklyn, Trumbo and The Danish Girl all look very worthy but ultimately dull, and with the over-rated Inside Out seeming to lead the chase for Best Animated Feature (the only other contender being Anomalisa, which isn’t released here for another month) I can’t even get excited about that. But hey, in spite of all that I (just about) caught up on all my goals for January, but predictably that last minute dash burned me out a little so I’m now behind again just a few days later. When will I learn?
Also this week I finally got around to seeing the 12 Angry Men episode of Inside Amy Schumer. I’m pretty sure this show never made it to the UK which, having seen a few of the sketches on YouTube, I wasn’t all that upset about, but when I saw an online trailer for this particular episode I knew I had to watch it, because a) 12 Angry Men is one of my favourite films, and b) it features the likes of Paul Giamatti, John Hawkes, Vincent Kartheiser (Pete from Mad Men), Kumail Nanjiani, a bunch of other know-the-face guys and the almighty Jeff Freakin’ Goldblum. Having watched it I was not disappointed. For fans of the film there are a lot of references that pretty much all work, but the bit that had me dying was Juror #2 (Chris Gethard) saying “Oh bother” during an intense situation, because Juror #2 from the original movie (John Fiedler) voiced Piglet.

Here’s what I watched this week:
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The Breakfast Club

One Saturday, five kids from different social cliques are all brought in for a day’s detention. Over the course of the day, they’ll find that their generic labels – the athlete (Emilio Estevez), the princess (Molly Ringwald), the brain (Anthony Michael Hall), the criminal (Judd Nelson) and the basket case (Ally Sheedy) – may not reveal every detail about their respective personalities.
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Breakfast at Tiffany’s

In New York, a horrid freeloader by the name of Holly Golightly flitters through life utterly oblivious to how vile and despicable she is, mooching off everyone, never doing anything to benefit society and aiding criminals along the way. She receives a new upstairs neighbour, Paul Varjak (George Peppard), whom she insists on calling Fred because that’s how frustrating a creature she is. Paul is a semi-failed penniless writer working as a sort-of escort on the side. He is bemused by Holly’s lifestyle and inexplicably falls for her, despite her gold-digging tendencies and his own significant lack of funds.
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A Little Chaos

Kind Louis XIV of France (Alan Rickman) has commissioned a new garden for the palace of Versailles, and instructed his landscaper Andre (Matthias Schoenaerts) to the task. He interviews many different garden designer for the garden’s various segments, finally settling upon the alternatively-minded Sabine (Kate Winslet) for the role, much to the chagrin of the men who will be working under and alongside her.
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The Hateful Eight

John Ruth “The Hangman” (Kurt Russell) is a bounty hunter known for bringing in his bounties alive, regardless of the difficulty in doing so. His latest conquest is Daisy Domergue (Jennifer Jason Leigh), but whilst transporting her by stagecoach through a brutal winter storm, he is forced to stop off at Minnie’s Haberdashery to wait out the blizzard. On his way there he picks up a fellow bounty hunter, Major Marquis Warren (Samuel L. Jackson) and the new sheriff of the town they’re heading for, Chris Mannix (Walton Goggins). Upon arriving at the haberdashery, Ruth and the others find Minnie nowhere to be found, and four strangers (Tim Roth, Michael Madsen, Demian Bichir and Bruce Dern) holding the fort instead.
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Gentlemen Prefer Blondes

Best friend singing-dancing double act Dorothy Shaw (Jane Russell) and Lorelei Lee (Marilyn Monroe) have very different approaches to love. Dorothy is looking for a penniless hunk for a night of passion, whilst Lorelei is content settling down with her bookish but extremely wealthy fiancĂ© Gus Edmond (Tommy Noonan). When Gus’ father imposes upon the upcoming wedding, Lorelei and Dorothy jump aboard a cruise ship to Paris, with the intention that Gus will join them at a later date and they will have the wedding in France. However, once aboard the ship the wealth-obsessed gold-digging Lorelei soon finds her attention drawn to Sir Francis “Piggy” Beekman, the owner of a diamond mine.
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