Muriel’s Wedding

Muriel’s Wedding seems unsure of what it wants to be. At times it follows standard rom-com tropes; an eccentric family, a first date going awry involving a burst bean bag, a pet bird thrown through a window and an unexpected trip to the hospital. At other times it seems to want to be a character piece, with Toni Colette’s compulsive liar and Abba obsessed Muriel setting her sights on getting married, regardless of who the groom is and how she feels about him, running away from her ashamed domineering family to start a new life (with a new name; Mariel) after a chance encounter with an old school friend (Rachel Nichols), whilst elsewhere it could be described as a tragedy, as Mariel becomes more and more desperate to fulfil her dream, whilst seeming to bring bad luck to all she comes into contact with.
Colette fully loses herself within the overweight, unfashionable, possibly mentally ill Muriel, in her first major role, but the too frequent switches in tone, from light comedy to tragedy, are too jarring, the characters too thin and the comic situations not entertaining enough to make this worthwhile.
Choose life 4/10
Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s