Collateral

Michael Mann takes a break from shootouts and dogged cops hunting master criminals in favour of a more laidback, narrative-driven movie about Jamie Foxx’s ambitious yet stunted taxi driver Max carries his fares around the neon-lit streets of L.A. That is, until he picks up Tom Cruise’s hitman Vincent, and Max’s night, and his dreams, are thrown into turmoil as the body count rises.
Cruise seems like an odd choice to play a fairly villainous guys, but he proves spot-on, retaining his usual casual charm but with a steely glint and wolfish menace to go with his salt and pepper hair, leaving Foxx to submit lie in his shadow.
The script relies too much on luck and coincidence, and leaves some pretty gaping plot holes you could drive a cab through, plus those paying attention should see that there’s really only one way the film can end, with a last act twist clearly signposted in seemingly throwaway lines. The writer even resorts to a low cell phone signal and battery as a means of moving the plot along; generally the laziest idea anyone could use.
The film evokes memories of much better films – Leon’s hitman, Taxi Driver, The French Connection’s subway stand-off, every buddy movie ever made – reminding you that there’s little original here. So whilst it’s watchable, it’s by no means worthy of a place on the list, and was wisely cut from the 1001 book some years ago.
Choose life 5/10
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