Run Lola Run

Has there ever been a more straightforward plot? Lola (a flame-haired Franka Potente) has 20 minutes to find 100,000 Deutsche Mark (about £33,670 back in 1998) to save her boyfriend’s life. That’s it. Yet director Tom Tykwer (Perfume) takes this core premise and from it creates a film so startlingly original and entertaining its a wonder Hollywood has yet to fully embrace his unique style. Employing all manner of cinematic devices, from splitscreen to monochrome, converting our heroine into animated form and revealing the lives of very minor characters in Polaroid form, the film moves at such a breakneck speed yet remains easy to follow and only occasionally exasperating. The nightclub soundtrack may fit the relentless pace but is a little headache inducing at times, as are the jarring changes in pace, from running full tilt to pontificating pillow talk on the nature of love, but with ideas this fresh even 13 years after its release, these flaws can be forgiven.
Choose film 8/10
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