Mutiny on the Bounty (1935)

Portsmouth, 1787. Ship’s Lieutenant Fletcher Christian (Clark Gable) press-gangs a pub-load of unwilling men aboard The Bounty, heading on a two-year voyage to Tahiti in search of breadfruit. At the ship’s helm is Captain William Bligh (Charles Laughton), one of the cruellest men to ever sail the seas in the name of the King’s navy, and he more than lives up to his reputation. After Christian and the crew can take no more of Bligh’s cruelty they mutiny and take over the ship, but their problems do not end there.
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Hannah and Her Sisters

This review was originally written for Blueprint: Review.

Set over a two-year period, Hannah and Her Sisters follows the numerous exploits of three sisters living in New York and their various friends and family. Hannah (Mia Farrow) seems to have her life most effectively in place. She is an actress, getting back into her work after taking time to raise her children, and is married to her financial adviser husband Elliot (Michael Caine). Elliot however has been harbouring a long-standing infatuation with Hannah’s younger sister Lee (Barbara Hershey), who is in a relationship with standoffish artist Frederick (Max von Sydow). At the apex of Elliot and Lee’s joint feelings of dissatisfaction with their partners, the pair sleep together, and must deal with the ramifications. Meanwhile the third sister, Holly (Dianne Wiest) is a recovering drug addict turned aspiring actress and restaurateur, self-employed as a caterer alongside her friend April (Carrie Fisher), a colleague and competitor for both acting roles and eligible men. Finally Hannah’s ex-husband Mickey (Woody Allen) is a stressed out hypochondriac, whose latest imaginary malady might turn out to be his most serious, and his last.
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Wiener Dog

This review was originally written for Blueprint: Review.

Todd Solondz is almost the dictionary definition of an acquired taste when it comes to film. For most directors, subjects like rape, dead parents, domestic terrorism and a lifetime of remorse wouldn’t necessarily inspire a comedy, yet they’re all par for the course with Solondz in this darkly comic anthology following the various owners of an ambivalent female dachshund.
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A Matter of Life and Death

Whilst returning home to England after a mission over Germany during World War II, RAF pilot Peter Carter (David Niven) reports back to American radio operator June (Kim Hunter) and alerts her to the presence of his squad, who all bailed out of their severely damaged aircraft. With his own radio technician, Bob (Robert Coote), dead and no intact parac/hutes remaining, Carter knows he will not survive the return journey, but plans to eject anyway, preferring to jump rather than fry, but during his brie dialogue with June the pair develop an attraction. Suffice to say, Carter bails out and his plane crashes but, miraculously, he awakes on shore, fully alive. You see there has been an error in Heaven and, due to the heavy fog across the English Channel, Carter’s body could not be found. An agent of Heaven, Conductor 71 (Marius Goring), is sent to retrieve him, but alas he has met in person with June and the two have fallen hopelessly in love, and therefore Carter is far from willing to accept his allotted demise, and instead intends to fight his case to the end.
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Batman Returns

33 years after being dumped into the sewers as a baby by his horrified parents, Oswald Cobblepot (Danny DeVito), a disfigured, disgusting man, wants to surface and claim his rights as a human. Meanwhile, shy secretary Selina Kyle (Michelle Pfeiffer) works for business tycoon Max Shreck (Christopher Walken), who constantly belittles her. When she discovers his plans for a power station will actually drain and store Gotham’s surplus energy, he tries to kill her but fails, causing her to seek revenge. Also, there’s a bloke going around dressed as a bat, but clearly, he’s not as important.
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The Maltese Falcon (1941)

It looks like just another day at the detective agency for Sam Spade (Humphrey Bogart) when Miss Wonderly (Mary Astor) walks in requesting his assistance in tailing a man believed to have run off with her sister, but when Spade’s partner Miles Archer (Jerome Cowan) is shot and another body shows up later that night, Sam soon finds himself under question by the police. His gift of the gab can only talk himself out of so many predicaments, as he becomes entwined in a desperate search for a priceless artefact that everyone seems to crave.
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Day of the Dead

Some months after the zombie outbreak, an underground science base has been established with hopes of developing a solution to the epidemic. Tensions fray between the scientists, civilians and military personnel living there, not helped by the lead scientist, Dr. Logan (Richard Liberty) attempting to “train” a chained up zombie he has named Bub (Sherman Howard).
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