Michael Winterbottom’s semi-documentary uses a novel approach in setting up and suggesting situations, then filming the reactions of Pakistani refugees at Shamshatoo Refugee Camp, Pakistan in February 2002, blurring the line between fact and fiction. We Follow Jamal and Enayat, a boy and his uncle, as they attempt to seek asylum to London, being smuggled across borders packed behind orange crates or hiding amongst sheep on a truck, but more information would have been appreciated on the details of why they are seeking asylum when their other countrymen aren’t, and some shots – a cow being brutally sacrificed, twitching as its life is forcibly removed – should have been omitted.