Jude

I had a discussion with my girlfriend recently about The Texas Chain Saw Massacre, instigated by my viewing of the unimpressive trailer for the new remake (in 3D, of course). When I explained the basic premise – a group of kids run into a family of skin-wearing cannibals – she was appalled at A) why someone would watch such a film, B) why someone would make it, and C) what kind of depraved soul would own such a monstrosity. I then answered questions A and C (she wouldn’t have cared that Tobe Hooper made it) by pointing to the copy of the film on my DVD shelf. Why do I bring this up? Well, though I’m not a massive fan of horror (I haven’t seen The Texas Chain Saw Massacre since I bought it), I will occasionally watch a film for the same reasons I go on rollercoasters; they add a certain element of thrill and excitement – and terror – otherwise missing from my humdrum existence on this Earth. My question is, who would watch, make or own a film like Jude?
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In This World

Michael Winterbottom’s semi-documentary uses a novel approach in setting up and suggesting situations, then filming the reactions of Pakistani refugees at Shamshatoo Refugee Camp, Pakistan in February 2002, blurring the line between fact and fiction. We Follow Jamal and Enayat, a boy and his uncle, as they attempt to seek asylum to London, being smuggled across borders packed behind orange crates or hiding amongst sheep on a truck, but more information would have been appreciated on the details of why they are seeking asylum when their other countrymen aren’t, and some shots – a cow being brutally sacrificed, twitching as its life is forcibly removed – should have been omitted.

Choose life 2/10