The Descendants

I’ve had The Descendants, currently the only Blu-Ray I own, sat on my shelf for a few weeks now, ever since I won it from the Empire Podcast, by answering a question about E.R., even though I’ve never seen a single episode. All praise IMDb. I’m something of a fan of Alexander Payne, and both Sideways and Election are just wonderful, so I’d been looking forward to sitting down and watching this, especially with all the Oscar buzz it had garnered earlier this year. The Descendants was nominated for five awards in all, including Best Picture, Director, Editing and Actor, and eventually won for Adapted Screenplay.

George Clooney, the aforementioned acting nominee, is Matt King, a wealthy landowner living in Hawaii,  and on the brink of a massive retail deal, in which his family’s historic heritage is to be sold, as requested by many of Matt’s less wealthy cousins. As if life weren’t stressful enough, Matt’s sporty wife Elizabeth (Patricia Hastie) suffers a horrific speedboat accident, leaving her in a coma, and Matt boosted from his former role as ‘back-up parent’ to the sole guardian of their two children, 10-year old Scottie (Amara Miller) and 17-year old Alexandra (Shailene Woodley), and soon becomes lumbered with Alexandra’s lunkheaded friend Sid (Nick Krause).
There’s a certain level of expectation for an Alexander Payne movie. The ones I’ve seen (not including Citizen Ruth or Inside Out 1 and 3) have all dealt with a story with dour aspects – be it failure, adultery, fraud, unhappiness or Kathy Bates’ backside – yet the sadness has been all but shrouded in comedy, yet here Payne’s reputable light touch is fighting against a brick wall of melancholy with the probable impending death of a spouse and mother. Such a morbid topic is no match for any level of wit, and the film almost always retains a depressing tone. This isn’t to say its a bad film, far from it in fact, its just that I was expecting a much more enjoyable watching experience that didn’t leave me deeply moved and my girlfriend literally in tears.
Payne made exactly the right casting decision in Clooney as Matt. The character is, let’s be honest, a bit of a dick. Yes, he’s a hard worker with a balanced head on his shoulders (he believes in giving his children enough money to do something, not so much that they’ll do nothing) yet he is practically absent when it comes to being a father and husband. Frequently away on business, he has little-to-no knowledge of his daughter’s lives, and it comes as no surprise to learn that prior to her accident, his wife was having an affair. It’d be a heartbreaking moment in most other actor’s hands, but Clooney breaks the tension with a ridiculously stone-faced flip-flop run. Under his command Matt is almost likable, and definitely relatable, even though he’s obscenely wealthy. Clooney is, in my opinion, a thoroughly under-rated comedic actor, and in one memorable scene (pictured) he has some genuinely hilarious eyebrows. Matt always seems to do the right thing and have the best of intentions at heart, yet his methodology and timing aren’t necessarily sound.
The revelatory performance of the film however is Shailene Woodley as Matt’s eldest daughter Alex, who lives on a different island to her father both literally and figuratively. Woodley is perfect in the role, her first in a film after appearing regularly on television since 1999, aged 8. Here she captures the exact transition from petulant teenager to woman-of-the-house, becoming a surrogate mother to her younger sister and a confidante to her father. Nick Krause is also great as Sid, a cliched dumbass who still gets to set up some of the film’s funniest moments. His first interaction with Matt’s father-in-law is just genius.
Beau Bridges and Judy Greer crop up in small roles, and Matthew Lillard does surprisingly well as a guy you really should hate deeply. The script has subtlety – offhand remarks to Elizabeth’s alcoholism and Alex’s drug taking – and definitely deserved at least the Oscar nomination, and whilst much of the action is fairly predictable, there are still a few unexpected turns along the way. This is still probably the least enjoyable of Payne’s films that I’ve seen – mostly due to the subject matter – but it’s still moving, well acted and performed, and all the locations are stunning.
Choose Film 8/10
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7 thoughts on “The Descendants

  1. Really nice write up. Like you, I agree that melancholia is the dominant theme of the film, which does feel a little different from Payne's previous stuff. There was less broad comedy, but I still enjoyed the film.The flip-flop scene was awesome. Clooney was great in this movie. Amazingly enough, he *looks* like a regular guy in this movie. I love how dowdy he was. This was NOT the same Clooney who was in Ocean's 11.One of the things I love about Payne, and The Descendants is no exception, is his use of locations. I don't mean Hawaii in particular, but the fact that he uses ACTUAL REAL locations. REAL houses with REAL flaws; there are leaves in the pool and cracks in the driveway. In Election, it was filmed in a REAL school. There's always a little bit of studio set work, but often, he'll find a real location he likes, then duplicates it on a set in order to get that authenticity. His movies feel so painfully real to me… He has a way of making me weep and making me smile all at the same time. I loved the final scene in The Descendants. OH, and the MUSIC was FAB!!!Seriously, I'm such a little fangirl sometimes.

  2. I entered twice, won the 2nd time (though they said my surname wrong, so I wasn't sure and had to rewind it to make sure). I'm fairly sure a friend of mine won the Prometheus poster one as well.

  3. Thanks. You're right, it was still enjoyable, just not what I was expecting, comedy-wise. I hadn't noticed his use of locations (I rarely pick up on much in a film's first viewing), but I see what you mean. Payne should receive so many more accolades than he does!

  4. The Descendants would probably be my least loved of Payne's films. I liked it, but I didn't think it was worthy of a Best Picture nomination. I do agree on Woodley's performance.

  5. If I had to cut down the 9 nominations to 5, I think it still would have been in there for me, but in other years it could quite easily have gotten lost in the shuffle. It's certainly better than some of the other Best Picture noms from earlier this year (*cough* Extremely Loud and Incredibly Close *cough*).

  6. Pingback: Top 10… Active Directors | Life Vs Film

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