Phantom Thread

The wonderfully named Reynolds Woodcock (Daniel Day-Lewis) is a highly respected and sought after fashion designer in 1950s London. Whilst he is capable of designing exceptional dresses, he requires all other elements of his life to be taken care of and controlled by his ever-present sister Cyril (Lesley Manville). When Reynolds visits the countryside he is served breakfast at a restaurant by Alma (Vicky Krieps), and is instantly smitten with her, and they later go on a date that ends far differently than she probably imagined. He has had muses before, but there’s something about Alma that keeps her around for far longer than his previous flings.

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Bullitt

Johnny Ross (Felice Orlandi) is due to be the surprise witness at a mob trial in San Francisco, and needs protective custody to keep him safe over the weekend leading up to the trial. Politician Walter Chalmers (Robert Vaughn) is behind Ross’ appearance, and enlists the high profile Police Lieutenant Frank Bullitt (Steve McQueen) to run the operation, but as can be expected, not everything goes to plan.
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Baby Driver

Baby (Ansel Elgort) is the driver for an ever-changing roster of heist teams, led by Doc (Kevin Spacey). Baby is in debt to Doc, but is just one job away from being square, which makes it a fairly inopportune point in his life to meet and fall in love with Debora (Lily James), a waitress at his local diner. When Doc makes it clear he has no intention of letting Baby, his lucky charm, out of the gang, Baby finds himself in a tricky situation, stuck in a world of criminals including Buddy (Jon Hamm), his wife Darling (Eiza González) and the self-proclaimed crazy guy Bats (Jamie Foxx). Oh, and as a child Baby survived a car accident which killed his parents and left him with permanent tinnitus, something he can only drown out by constantly playing music.
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Collateral Beauty

Howard Inlet (Will Smith) was a high-flying, smooth-talking New York marketing whizz, until two years ago when his six year old daughter died. He returned to work eighteen months later, but his understandable change of character has left him shut down and closed off to all around him. His work has suffered, and the business he co-owns with best friend Whit (Edward Norton) may go under unless something can be done. After hiring a private investigator, Whit – along with colleagues Simon (Michael Pena) and Claire (Kate Winslet) – discover that as part of his recovery process Howard has written letters to the entities of Love, Death and Time, so the trio decide to hire actors to portray these facets of the world and confront Howard, in an attempt to prove he is crazy so he’ll be forced to sign his ownership of the business over to them.
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Little Children

Sarah (Kate Winslet) is a stay-at-home mother whose life is already feeling rut-like and unfulfilling, something that is exacerbated when she catches her husband Richard (Greg Edelman) masturbating in his home office with an unfamiliar pair of women’s underwear tied to his face. Part of Sarah’s daily routine involves going to the park with her three year old daughter Lucy, where Sarah sits slightly apart from the other mothers, due to their constant judgement at how much better they are at caring for their children than Sarah. They all idolise a man named Brad (Patrick Wilson), their male equivalent who brings his young son Aaron to the same park. On a bet, Sarah introduces herself to Brad, and the two soon find the company of the other fulfils something missing in their own lives. Meanwhile, convicted sex offender Ronnie (Jackie Earle Haley), who was arrested for exposing himself to children, has been released from prison and moved back in with his mother, May (Phyllis Somerville). Many members of the community are uncomfortable having Ronnie living in such close proximity, especially former policeman Larry (Noah Emmerich), who makes ruining Ronnie’s life his own personal obsession.
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Steve Jobs

During the preparations leading up to the public unveiling of three products – the Mackintosh in 1984, NeXT Computer in 1988 and iMac in 1998 – business “composer” Steve Jobs (Michael Fassbender) deals with the same handful of people and problems, including his friend and marketing associate Joanna Hoffman (Kate Winslet), co-Apple-founder Steve Wozniak (Seth Rogen), engineer Andy Hertzfeld (Michael Stuhlbarg), Apple CEO John Sculley (Jeff Daniels) and Chrisann Brennan (Katherine Waterstone), Steve’s ex-girlfriend and the mother of his potential daughter Lisa.
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Hail, Caesar! (2016)

Eddie Mannix (Josh Brolin) is a put-upon movie producer for Capitol Pictures in 1951. Over the course of one 27-hour period he must deal with rival gossip columnist twins Thora and Thessaly Thacker (Tilda Swinton), a rising western star (Alden Ehrenreich) being reimagined as a dramatic actor, much to the chagrin of his new director (Ralph Fiennes), the unexpected pregnancy of a swimming starlet (Scarlett Johansson), offers for Mannix himself to change to a high powered position in another company, as well as the supposed kidnapping of major star Baird Whitlock (George Clooney) by a Communist cell calling themselves “The Future” and the fall-out from Whitlock’s disappearance, which is delaying the production of a lavish epic.
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