A prison chain gang in Florida gains its latest inmate in the form of Lucas “Luke” Jackson (Paul Newman), a war veteran sentenced to two years for cutting the heads off parking meters whilst inebriated. However Luke has a fairly serious issue with authority and a tendency to rebel against any order he is given purely on the grounds of it being an instruction, so prison life isn’t something he fits into well.
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Tag Archives: Cool Hand Luke
My Week in Movies, 2016 Weeks 36 & 37
Late again, sorry, same excuse: I’ve been busy, but this time exceptionally so. I’m writing this from a hotel room in China, where I’ll be spending the foreseeable future on a trip for work. How much time I’ll be spending in the room is as yet undefined, hence my references earlier this month with regards to how productive I’ll be blog-wise in September. So far? Not very. Anyway it’s been a busy couple of weeks preparing for this trip, but I do have a fair few films to discuss. So many in fact that I’m going to cut off the diary at this most recent Friday, and I’ll aim to pick up the weekly format this coming Friday, when hopefully I’ll have a little more time to catch you up on, amongst other things, some new releases from this year that I watched on the plane. For now though, here’s what I watched fairly recently, in the latest addition of what should really be called My Fortnight in Films:
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Top 10… Movies With All-Male Casts

Zombies! Nazi zombies! Ridiculous Nazi zombies! The premise for this film is, well, kinda dumb – a rich dude hires a group of mercenaries to take him to an underground bunker, where they discover the Nazis performed some tests in WW2 to create an unkillable soldier, and wouldn’t you know it, whilst they’re their they manage to resurrect them – and the film itself plays out little better. The only ‘names’ amongst the cast are Michael Smiley (Spaced, Kill List) and Ray Stevenson (Thor, Punisher: War Zone) and the director, Steve Barker, has made nothing else of note save a crap-looking sequel, but despite the unlikable characters (particularly Robert Blake’s greasy Prior) and evidently low budget, this still has its moments. Can’t help thinking Nazi zombies have a great deal more to offer than this though. I really wanted Con Air to take this position, or Armageddon, but they have fairly prominent female roles, dammit. Continue reading
