It’s been a while since I’ve gotten involved in this kind of blogathon, however when Tom from At The Back nominated me, I couldn’t resist. It’s been set up by Nostra at My Film Views, and the original post can be viewed here. Essentially, this blogathon asks each participant to connect one actor/actress/director/movie to another actor/actress/director/movie in six connections or less. I’ve been asked to connect The Birth of a Nation to Daniel Bruhl, because apparently I did something wrong in a past life, and am now being punished for it. Continue reading
In the year 1972, four astronauts are deep in space, on a mission of discovery. They awake from suspended animation to find that one of their crew is dead and their ship has landed on an unfamiliar planet, and is rapidly sinking into a body of water. After making a quick escape with as much equipment as they can carry, the three survivors must find a way to survive, something made much more difficult by the planet’s native population.
Recently we recorded an episode of the Lambcast all about the original Planet of the Apes movies, from 1968’s Planet through to 1973’s Battle for the Planet of the Apes. I’d never seen any of the films before, so I was especially looking forward to the show, as I’ve now seen them all. They vary from the excellent (this one) to the dismal (Battle), the thought-provoking (Escape from the Planet of the Apes) to bat-shit insane (Beneath the Planet of the Apes), and you can listen to the discussion we had about them all here. As it happens, Planet of the Apes is also on the 1001 Movies list, and is widely regarded as a classic, so I’m selecting it as my Blind Spot pick for this month. Continue reading
Llewyn Davis is a folk singer, stumbling from sofa to sofa in early 1960s New York. He used to be part of a semi-successful duo, but for reasons explained in the movie the pair are no longer together, and everything Llewyn owns he carries with him and dumps at the next person willing to put him up for the night. He isn’t really going anywhere in life other than downwards, so he plans to head to Chicago in search of a record deal. Also, there’s an accidental pregnancy, and a cat.
Nader and Simin have been married 14 years and have a daughter just weeks away from her 11th birthday and some important exams. However, they’re getting separated. They haven’t fallen out and bear no ill will towards one another, but circumstances require them to live apart. Simin (Leila Hatami) wants a better life for herself and her daughter Termeh (Sarina Farhadi), which she believes is impossible whilst living in Iran, so she wishes to move out of the country to live with her mother. However, her husband Nader (Peyman Mooadi) needs to stay to look after his father (Ali-Asghar Shahbazi) who suffers from Alzheimer’s.
I think I may be approaching the 1001 Movies List (and the other lists I’m going through) from something of a skewed perspective, in that I may be crossing off a few too many of the “better” movies before I get to the ones I’m not looking forward to as much. Bearing in mind yesterday I reviewed Ferris Bueller’s Day Off and today sees me tackling Raiders of the Lost Ark, I need to make sure I don’t eat all of my dessert before getting to the vegetables, as I also recently crossed off Back to the Future, Taxi Driver, RoboCop, To Kill A Mockingbird, Fargo and Boogie Nights as well. That being said, Bueller and Raiders made for a most enjoyable weekend of movie watching, with a little Jurassic Park: The Lost World thrown in for good measure (I’ll be writing something about that for French Toast Sunday this weekend, where we’re celebrating July with a month dedicated to Steven Spielberg, hence the Raiders viewing). Spielberg is one of my favourite directors, which shouldn’t be too much of a surprise considering he’s the guy behind Jurassic Park, the greatest movie ever made, but now I get the chance to talk about another one of the masterpieces he brought into cinemas. Continue reading
This review was originally written for French Toast Sunday as part of my USA Road Trip feature.
How much of an introduction do I really need to give Ferris Bueller’s Day Off? I’m hoping none but, as much as it pains me to say, there’s probably a few unenlightened souls out there who have yet to discover the wonder that is this film. Ferris (Matthew Broderick) is an unimaginably popular and enterprising teenager who, one day, decides to pretend to be ill and skip school. It’s something he’s perfected into an art form – this is far from his first game of hookey – but this time he’s roping in his girlfriend Sloane (Mia Sara) and hypochondriac best friend Cameron (Alan Ruck). Once the gang has been assembled and Ferris has “borrowed” Cameron’s father’s prized Ferrari, the trio head to Chicago for the best day they’ll ever have. Meanwhile, Ferris’ sister Jeanie (Jennifer Grey) and the school’s Dean, Mr. Rooney (Jeffrey Jones) both suspect Ferris to be faking, and set about trying to bring him down. Continue reading
This review was originally written for Blueprint: Review. When the Parisian football team Olympique head to the small town of Capelongue for a minor match against their local team, the most eventful thing on anyone’s minds is the potential transfer of their star player, and the trepidation of the team’s oldest player, Sam Lorit, at returning to his home town, which he left seventeen years ago, abandoning the home team to mediocrity. However, when the spurned father of a Capelongue player tries out a new steroid-like injection on his son, it soon leads to an outbreak of rabid, blood-thirsty rioters terrorising the stadium. Continue reading