My Week in Movies, 2016 Week 4

You may have noticed I haven’t posted my 2015 in Review or Most Anticipated for 2016 posts. This is correct, well done on being so observant. I’ve got both saved in draft and am about halfway through the 2015 in Review (I’ve hit a stumbling block in that I can’t remember anything that happened in American Sniper so lost my momentum) so that’ll come out eventually. What probably won’t is my Anticipated list for 2016. The reason being is that there’s not all that many incoming films I’m terribly excited about.
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We did a recent Lambcast episode on this very subject, and I found myself at a loss. There’s one film I’m really, really looking forward to in 2016, and that’s Shane Black’s The Nice Guys. Other than that I’d honestly be fine if everything else coming out this year just… sort of… didn’t. Granted there’s films I’ll see because they look fun – Captain America: Civil War, Deadpool, Finding Dory – and others I’ll be obliged to for podcasting reasons – Batman V Superman: Dawn of Justice springs unfortunately to mind – and of course there’s the batch of late 2015 films that are only just getting released in the UK – The Revenant, The Big Short, Spotlight, Room – which I’m sure will be more than worth a watch, as long as I get to them before the Oscars. It’s just that nothing is getting me excited. It’s probably a comparison to last year, when I was all stoked for the new Star Wars, Avengers, Spectre, Jurassic World and, most regrettably, The Good Dinosaur. After a few disappointments in 2015, maybe I’ve lowered my expectations for 2016 so low that I’d honestly be OK if the cinemas all took a break for a year. Heck, it’d give me a chance to save some cash and make some more headway watching the films I need to see. Speaking of which, here’s what I watched this week:
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The English Patient

A disfigured English-speaking man (Ralph Fiennes) is being cared for by a nurse (Juliette Binoche) in Italy during World War 2. Whilst being moved his condition worsens, so she cares for him in the ruins of a monastery where they are joined by some bomb disposal technicians (Naveen Andrews and Kevin Whately) and a thumb-less Canadian (Willem Dafoe). All the while the man struggles to remember who he is, recalling his past sharing an affair with a British woman (Kristen Scott Thomas) married to one of the man’s colleagues (Colin Firth).
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