Tom (Michael Douglas), a devoted husband and father, has spent years working his way up the corporate ladder at a technology company, and is expecting to be promoted as part of an upcoming merger. However, instead his boss Bob (Donald Sutherland) brings in new blood for the role, in the form of Tom’s ex-girlfriend Meredith (Demi Moore). Meredith summons Tom for a suspicious evening meeting accompanied by wine and shoulder massages, during which she attempts to seduce him. After initially reciprocating, Tom eventually turns her down and flees, telling no-one and hiding the scratches on his torso. Upon arriving at work the next day Tom discovers Meredith has vengefully accused him of sexual harassment, and Tom must either prove his innocence or be forced out of the company.Continue reading
After the end of World War II, three American veterans from different military branches and different social backgrounds return home to try and reacclimatise themselves back into society, but the world back home isn’t quite how they remembered it.Continue reading
In 1860s Massachusetts, the March family has four daughters, all with different artistic aspirations. Meg (Emma Watson) is an actress who is happy complying to society’s ideals of feminity, Jo (Saoirse Ronan) is an aspiring writer with intentions to make it on her own, cherubic Beth (Eliza Scanlen) is a musician, favouring the piano, and Amy (Florence Pugh) a painter who sometimes feels put out as the youngest child (although it was only in researching for this post that I discovered she was supposed to be the youngest, as it felt like Beth far more filled out that role). Their mother Marmee (Laura Dern) tries to mould them into good, charitable adults whilst their father is fighting in the American Civil War, and over the seven year period of the film, they all have varying dalliances with their wealthy neighbour’s grandson Laurie (Timothee Chalamet).Continue reading
Dorothy Wynant (Maureen O’Sullivan) is in distress. Her inventor father Clyde (Edward Ellis) has disappeared, after taking $1,000 from his lawyer (Porter Hall) and heading to a secret location, not returning in time for Dorothy’s wedding. Fortunately Nick Charles (William Powell) is in town for the holidays with his wife Nora (Myrna Loy) and their dog Asta (Skippy). Nick is a retired detective who was once hired by Clyde, and after some initial trepidations, Nick is soon on the hunt for the missing man.Continue reading
2020 was some kind of year, right? Many people have been describing it as the worst year in their lifetimes, and quite rightly so. On a global scale the past twelve months have been devastating, so I’m not going to go there. Instead I’ll just go through what I got up to, in relation to the resolutions I made this time last year.Continue reading
Another year is over, and for this I’m sure we’re all grateful. I’ll go into more detail with how 2020 treated me personally in a future post, but for now it’s time for the annual listing of every new release I watched this year, from worst to best. It’s a shorter list than previous years at just 39 new releases (as always, bear in mind these are UK releases, so there’s a fair few films many of you would consider 2019 films on here), so I’ve also listed some shorts/TV specials, and listed my top 10 new-to-me, non-2020 films at the bottom too.Continue reading
This review was originally written for Blueprint: Review. It was written because Kate Winslet appears in the film and one of the missions of this site is to review every Kate Winslet film. The other Kate Winslet reviews can be found here.
There’s all kinds of films in the world. Films to cheer you up, films to terrify you and get your blood pumping, even dramatic weepies designed to emotionally rip you apart, rendering you unable to function for the rest of the day. There’s a time and place for each of these films, and given just how unprecedented the times we’re living in are, and how these days every waking moment can feel like a never-ending naked slide down the spiralling razor blade of life, I for one am trying to limit my exposure to the more emotionally draining films.
Season 10 of Taskmaster starts tonight, and to celebrate here’s a post all about the previous nine seasons! If you’re not familiar, Taskmaster is a light entertainment comedy show in which comedian Greg Davies judges the task-completing efforts of five celebrities (usually, and preferably, comedians) as they attempt to complete the bizarre tasks set to them by Davies’ assistant, Alex Horne. These tasks are rarely straightforward (eg: paint the best picture of a horse whilst riding a horse, blow out a candle from the furthest possible distance, determine the circumference of a caravan in baked beans, that sort of thing). Each season has five new contestants, and the winners of each season go on to compete in a tournament of champions, of which there so far has been only one. Presumably after twenty-five seasons the five tournament winners will compete in some form of grand tournament, and I for one cannot wait.
So, there’s been nine seasons, with five competitors each season, and I’d say the success of each season is partly down to the entertainment value of the competitors, so I’m going to rank all 45! I re-watched all nine seasons recently on UKTV Play, so let’s go!Continue reading
Folks, it happened, I started another podcast, and this one’s all about Deep Blue Sea. “Wait,” I hear you cry, unable to conceal the slight crack of excitement in your voice, “the 1999 shark-infested masterpiece from Renny Harlin? Surely there are already dozens, nay, hundreds of podcasts already devoted to such an opus of cinema.” Yes, that very film, but no, somehow, inexplicably, despite the film-centric podcast world already overflowing far beyond any reasonable degree of saturation, there are no such shows devoted to the film Roger Ebert once described as “a neat package of terror, sharks and special effects.”
So what is this delightful new podcast, and where can I listen to it, and is it any good? Well, firstly, stop asking so many questions, calm down, we’re not going anywhere. The show is called Deep Blue Sea – The Podcast, and you can find it pretty much everywhere podcasts are found including iTunes. Here’s a link to it on spreaker: https://www.spreaker.com/show/deep-blue-sea-the-podcast. At the time of writing there are already three episodes out, with more released every Tuesday. The show is hosted by me and Mark Hofmeyer from Movies, Films & Flix, and every week we discuss the next DVD chapter of the film Deep Blue Sea. There’s 33 chapters in the film, so there’ll initially be 33 episodes, followed by some bonus ones on the straight-to-streaming sequels etc. We will not, I repeat, WE WILL NOT, be covering the sequels chapter by chapter, because whilst I haven’t seen them at all, just mentioning their existence makes Mark sad.
It’s not just going to be me and Mark, we have guests, preferably ones who agree on the near-perfect status of the film’s quality, and as for is the show any good, I’ll leave that up to you to determine but I for one am having a very fun time delving into Deep Blue Seas delightful depths. I hope you give us a listen!
I think it’s safe to say that 2020 isn’t exactly going to plan. It’s not been a stellar year for anyone, and listing off the many and numerous trials that either have been or are still testing the world at large isn’t going to do anyone any good. Suffice to say I’ve found myself home a lot recently, not that the activity on Life vs Film would have led you to such a conclusion. It turns out that being stuck inside for almost three months with nothing but a bunch of streaming services and a decent sized DVD collection still isn’t enough to actually make me watch and review more films. In fact, compared to this time last year I’ve only reviewed a third as many! How is that even possible? So what have I been doing? Good question, and to answer it let’s run through my 2020 goals at this roughly half-way point through the year: Continue reading