Whilst attending a carnival, well-to-do surgeon Mr. Treves (Anthony Hopkins) sees John Merrick (John Hurt), a 21-year-old man born with such severe physical disfigurements that he is displayed as “The Elephant Man”. After Merrick receives another in a series of beatings from his “owner” Bytes (Freddie Jones), Treves takes Merrick into the hospital and cares for the man, slowly uncovering the person behind the appearance.
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In L.A., a woman survives a late night car crash but loses her memory and can’t even remember who she is. Meanwhile, a plucky young hopeful arrives in town with dreams of being a star, and a director must deal with the demands of his powerful producers, who will stop at nothing to force him to hire their chosen leading lady. All three storylines will converge and attempt to merge into one another, at which point they turn into a completely different film that makes no sense. Trying to work out what is going on will result in crying, throwing things at the screen, substance abuse and, eventually, giving up and wondering just what the big deal was about.
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I think this is David Lynch’s idea of a romantic comedy. Shot in stark black and white and sounding like it was filmed underwater or near a busy factory, we follow the bizarrely coiffed Henry Spencer (Jack Nance) through the trials and tribulations of an average young man – meeting his girlfriends parents for dinner, encountering a beautiful woman living in the same apartment building, watching a woman with hideously deformed cheeks dancing deliriously on stage, you know, the usual.
Life Vs Film 