Face/Off

FBI Agent Sean Archer (John Travolta) has been on the hunt for career criminal Castor Troy (Nicolas Cage) for years, a search that was intensified six years previously when Castor accidentally killed Sean’s young son whilst trying to kill Sean. Finally, Sean has managed to catch and apparently kill Castor and incarcerate his brother Pollux Troy (Alessandro Nivola), but not before the pair have planted a bomb somewhere in L.A. With only a few days before the bomb is due to explode in an unknown location, the only way Sean can discover the location is to talk to Pollux, but the only person Pollux will trust is his brother. So, the only logical solution is for Sean to remove his own face and replace it with Castor’s, going undercover as the man he’s spent the past few years despising.
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Changeling

In the spring of 1928 Walter Collins, the 9 year old son of Christine Collins (Angelina Jolie, restrained, passionate, focused) goes missing. Five months later, the police find a boy that matches Walter’s description, but Christine is sure that he is not her son, seeing as he is a few pounds heavier, circumcised and three inches shorter. With the help of Walter’s dentist, schoolteacher and the local pastor (John Malkovich), she begins to uncover a web of conspiracy and lies within the Los Angeles police department, so eager to have good publicity they’ll manufacture it themselves, but when she digs too deep she is shipped off to an insane asylum. Jolie remains just the right side of hysterical throughout, and Amy Ryan pulls off an outstanding but far too brief performance similar to her scene stealing role in Gone Baby Gone. The film is gripping, and the true story is at times chilling and sickening as truths begin to emerge, but I feel it would have been a more superior picture had we not discovered whether Jolie’s replacement son was the real deal or not.
Choose film 6/10