Wealthy New York aristocrat Newland Archer (Day-Lewis) announces his engagement to the well-respected May Welland (Ryder), and their blissful life together seems entirely mapped out for them. However, the arrival of May’s cousin, Countess Ellen Olenska (Pfeiffer), has the potential to derail the course due to the scandalous activities of her philandering husband, and her growing mutual attraction to Newland. Continue reading →
33 years after being dumped into the sewers as a baby by his horrified parents, Oswald Cobblepot (Danny DeVito), a disfigured, disgusting man, wants to surface and claim his rights as a human. Meanwhile, shy secretary Selina Kyle (Michelle Pfeiffer) works for business tycoon Max Shreck (Christopher Walken), who constantly belittles her. When she discovers his plans for a power station will actually drain and store Gotham’s surplus energy, he tries to kill her but fails, causing her to seek revenge. Also, there’s a bloke going around dressed as a bat, but clearly, he’s not as important. Continue reading →
John Malkovich: object of desire? Talk about playing against type. As the Vicomte Sebastien de Valmont in 18th Century France, he is challenged by the Marquise Isabelle de Merteuil (Glenn Close) to deflower Uma Thurman’s virginal bride-to-be Cecile. Deeming the task too easy, he instead chooses to bed Michelle Pfeiffer’s Madame de Tourvel, a virtuous, devout, happily married woman staying with the Vicomte’s aunt. The Marquise then drafts in Keanu Reeves’ Danceny to woo Cecile instead. If the plot sounds familiar, it’s because it was adapted more recently (and poorly) in the modern-set Cruel Intentions, which succeeded in dumbing down the many deceits and allegiances in the plot, but retains the deeply unlikable protagonists, too rich for their own good and revelling in destroying the lives of those around them.
More erotic than most period dramas, with necklines set to plunging and cleavages set to stun, this sees more bedhopping than a season of Desperate Housewives. Malkovich is on excellent form as the callous, vain and calculating lothario, deemed “conspicuously charming” and Close walks the line between on/off romance and hardnosed bitch, but every time Keanu opens his mouth you get the feeling Bill and Ted got their time travelling phone booth stuck in the reign of Louis XV, so thick and distracting is the slacker dude lilt he so desperately tries to hide.