Single mother Manuela (Cecilia Roth) lives with her only son Esteban as she works as organ transplant co-ordinator at the hospital. Her son believes his father is dead, but when a tragedy occurs, Manuela heads from Madrid to Barcelona in search of the boy’s father, where she ends up caring for a new brood, made up of Penelope Cruz’s demure nun, Antonia San Juan’s seasoned prostitute and Marisa Paredes’ legendary gay stage actress. The performances are all exquisite from a mostly female cast, and the plot is suitably diverse enough to remain unpredictable throughout, from the events to the tone of the picture, and a vibrant colour scheme adds to the sensual feel.