This review was originally written as part of my USA Road Trip series for French Toast Sunday.
If you’re anything like me, before you saw it you knew Brokeback Mountain as just the gay cowboy movie, or that film where Donnie Darko and the Joker get jiggy in a tent. Technically this is true, and it’s the reason the film has such notoriety – it’s not often that such a high profile film centres around a homosexual relationship between two otherwise straight male characters – but there’s a great deal more to this film besides that one aspect. Continue reading →
Another one I’d never seen before, Brokeback Mountain has a reputation to live up to, but of what I didn’t really know. Yes, I was aware it was about two cowboys, Heath Ledger and Jake Gyllenhall, and that between these two, something happened in a tent, involving at least one of their man-parts and the other’s posterior, but as to how this would support a feature length picture I did not know. Wisely, director Ang Lee gets past the, ahem, climax early on, spending a greater deal of time depicting the aftermath of the relationship Ledger’s ranch hand Ennis Del Mar and Gyllenhall’s rodeo cowboy Jack Twist form on the time they spend herding goats together. Ledger easily surpasses Gyllenhall on the acting front, mumbling his way through the difficulties that come with having an affair, and Michelle Williams also impresses as his put-upon spouse, realising the truth about her husband yet living in acceptance and despair. The slow pace of the film allowed for some great character interactions too, and I approved of the film only featuring important sections from the central relationship and nothing else, with what some would describe as pivotal events – Twist’s marriage to rodeo girl Anne Hathaway or the birth of Del Mar’s two children – being skipped entirely, as to the main couple these were of secondary importance to the connection the two had with each other. Choose film 7/10
Much like Titanic (also on the list, some other time) this is a film that only really reaches its stride in the second half, once the iceberg has hit and the world starts to sink. Ignoring the obvious, huge and much-discussed plot holes (what if the alien spaceships didn’t operate on Mac OS?) this is actually a very enjoyable popcorn film, with Roland Emmerich unleashing his full hatred on mankind in the form of giant spaceships playing a lethal game of chess with the Earth. The cast contains many tongue-in-cheek performances by actors more known for comedy (Will Smith, Randy Quaid, Jeff Goldblum) and displays people from all walks of life, be they a drunken former abductee or a Clinton-esque president, berated for being too young, all bonding together to save their planet. At times it is a little too patriotic though, as we are shown late in the film that the rest of the world have been waiting for the yanks to come up with a solution (“About bloody time” complains a typically posh Englishman), but then in a big dumb action movie you can expect some big dumb ideas (Smith’s first human interaction with an alien sees him punching it in the head). Also, the US patriotism is probably more of a money-making plot, seeing as the director is actually from Germany.