Young Frankenstein

Ashamed of his family history, Fredrick Frankenstein (Gene Wilder, and it’s pronounced Fronk-un-steen) attempts to distance himself from the work of his infamous grandfather, but finds the pull too great when he inherits the family estate in Transylvania and discovers his ancestor might have been onto something. With the help of his sporadically hunchbacked assistant Igor (Marty Feldman), the voluptuous Inga (Teri Garr) and terrifying housekeeper Frau Blücher (Cloris Leachman), young Frankenstein attempts to recreate his grandfather’s work, re-animating a gigantic corpse (Peter Boyle).
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Tootsie

Michael Dorsey (Dustin Hoffman) is an actor in New York who, though talented and passionate about his work, finds himself unable to land a role due to age and physical limitations (I can be taller!) and a bad reputation for thinking too much about a character and arguing with the director. When he learns of an upcoming part on hospital soap opera Southwest General he makes sure he gets the gig, regardless of the fact that the character is female. This simple premise, man pretends to be a woman to get a job, would these days be most likely given to the likes of Eddie Murphy or Adam Sandler, played entirely for gross-out laughs and hopefully tanking at the box office, but fortunately in 1982 Hoffman plays the part(s) relatively straight, giving arguably a career best turn in a body of work hardly lacking in expertise.
Hoffman is disturbingly convincing as Dorsey’s alter ego Dorothy Michaels, and the scenes where he transforms his appearance are at times uncomfortable to watch. George Gaynes and Bill Murray do their best to steal the show, respectively as a lecherous autocue-reading lead actor and Dorsey’s sardonic flatmate Jeff (You slut!) but it is Hoffman’s film, and nothing can detract from his central performance.
Choose film 7/10