Sydney (Philip Baker Hall) is a seasoned, respected gambler and occasional con artist. He knows all the tricks, but is getting a little long in the tooth in an increasingly modern world. John (John C. Reilly) is a fool who lost all his money in Vegas trying to win enough to pay for his mother’s funeral. Sydney takes John under his wing to show him where he went wrong.
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Everybody breathe a sign of relief, HitchcOctober is over. I’m proud to say I watched and reviewed 30 Hitchcock movies in October, some new, some old, some from the 1001 list, some not, and I’ve collected on the posts I’ve written – including the ones that already existed before last month – in this handy-dandy list, that’s also been ranked from worst to best. I still have a few Hitchcock movies left un-reviewed, but where that number was 38, it’s now just 8 movies (plus a handful of shorts I can’t find at the moment), including two remaining 1001 List movies (Spellbound and Frenzy). Therefore, I may well pick this project up again next October, but at a much more relaxed pace of one film every three days, instead of the deeply regrettable one-a-day.
Also last month I expanded my HitchcOctober celebrations into a couple of other sites.
For Robert over at To The Escape Hatch I took part in his Favorite Scene Friday series (something I try to do every month) by discussing my favourite scene from The Birds.
And over at French Toast Sunday (who also celebrated HitchcOctober with me) I wrote about my 5 Favourite Things about Rear Window, my Top 7 Hitchcock Villains and my Top 5 Hitchcock Cameos, so be sure to check those out too.
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Colonel Paradine, a wealthy blind man, has been murdered by a poisoned glass of burgundy. His wife (Alida Valli) is the prime suspect, and is therefore arrested. Via the family solicitor Sir Simon (Charles Coburn), she hires hotshot lawyer Anthony Keane (Gregory Peck) to defend her, but things get tricky when Keane starts to fall for his latest client, despite being happily married to the idyllic Gay (Ann Todd), who is also friends with Sir Simon’s daughter Judy (Joan Tetzel).
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Charlie (Teresa Wright) is in a state of despair. She believes her family are far too boring and ordinary, and prays for a miracle to save them from this rut. This miracle manifests in the form of her mother’s brother, the man she was named after, Uncle Charlie (Joseph Cotten), who is coming to stay for reasons undisclosed. The family and entire town are quick to embrace Uncle Charlie, with his lavish gifts and big city thinking, but young Charlie begins to suspect that all may not be as it seems, as her uncle seems to be hiding something.
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Ben and Jo McKenna (James Stewart and Doris Day) are holidaying in Morocco with their son Hank (Christopher Olsen) when a ruckus on a bus causes them to meet Frenchman Louis Bernard (Daniel Gélin). They spend some time with the mysterious man, as well as an English couple, the Draytons (Brenda de Banzie and Bernard Miles), but when at a market the next day, Bernard is killed and, with his dying breath, tells Ben a few fragmented details of an assassination attempt in London in the near future. When Hank is kidnapped, the McKennas must attempt to solve the case without assisting the police, or risk their son’s wellbeing.
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Jonathan Cooper (Richard Todd) is the bit-on-the-side for famous stage actress Charlotte Inwood (Marlene Dietrich and her ridiculous eyebrows). He’s hopelessly in love with her, so when she arrives on his doorstep with a blood-stained dress and claims of having murdered her husband, he doesn’t take much convincing to head to the scene of the crime to stage a robbery and pick her up a clean outfit. Alas, Charlotte’s maid (Kay Walsh) sees him, and Johnny suddenly finds himself accused of a crime he didn’t commit. Fortunately, his more steady ladyfriend Eve (Jane Wyman) is on hand to secret him away with her father (Alastair Sim), whilst she sets about clearing his name, first by becoming close to the investigating police detective Smith (Michael Wilding) and second by posing as Charlotte’s replacement maid, Doris. 
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Father Michael Logan (Montcomery Clift) is in a bit of a pickle. A man in his town has just been murdered and, immediately afterwards, the culprit – Otto Keller (O. E. Hasse), a handyman who lives and works predominantly at the rectory – confesses to the murder to Logan, within the safe confines of the church’s confession booth. The next day the police are alerted once Keller “discovers” the body during his regular duties, and Logan looks on in pained disapproval, knowing the murderer is free and walking amongst his clergy. What makes matters worse is when a couple of schoolgirls claim they saw a priest fleeing the scene of the crime – Keller wore a priest’s cassock to conceal himself – and Logan finds himself accused of killing the man, not helped by his shaky alibi and motive for wanting the man dead.
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When her German father is arrested and sentenced to 20 years in prison for treason, Alicia Huberman (Ingrid Bergman) is recruited by the American government as the perfect candidate to spy on some suspected Nazi agents in Brazil. For her mission, Alicia must become close with one of the agents, Alex Sebastian (Claude Rains) which doesn’t sit well with her American correspondent Devlin (Cary Grant), as he and Alicia have recently fallen in love.
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Marnie Edgar (Tippi Hedren) is a serial con artist, whose latest heist saw her steal almost $10,000 from the tax firm she became employed at under a fake name and a dark dye-job. She sends the money home to her single mother (Louise Latham), with whom Marnie has a relationship that could be described as difficult. Marnie’s next target is the Rutland company, managed by Mark Rutland (Sean Connery). Unfortunately for Marnie, Rutland is a client for her most recent score, and Mark recognises her as the “brunette with the legs.” Fortunately for Marnie, Mark is a zoology enthusiast, with a particular interest in criminal women, so he hires her anyway. She carries out the robbery as planned, but Mark catches up with her and offers an ultimatum; either he goes to the police, or she agrees to marry him.
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Larita Filton (Isabel Jeans) is in court, undergoing divorce proceedings. Through flashback we learn she has cheated on her husband (Franklin Dyall) with a painter (Eric Bransby Williams), hence the divorce. After the trial, Larita flees the incessant journalists and heads to Europe, where she meets John Whittaker (Robin Irvine), and soon marries him instead, without mentioning her previous marriage. Everything is going fine until John brings Larita back to his home in England to meet his family, many of whom – particularly his mother Violet Farebrother) – take an instant disliking to this new woman.
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Life Vs Film 