Irascible, anti-social weather reporter Phil Connors (Bill Murray) heads to the small town of Punxutawney, Philadelphia with his cameraman Larry (Chris Elliott) and new producer Rita (Andi MacDowell) to cover the Groundhog Day festival ceremony, wherein a prominently dentured rodent allegedly predicts the weather. It’s an annual occurrence Phil despises, and one from which he cannot wait to get away, but unfortunately for him he’s stuck there, reliving the same day over and over again, potentially forever more.Continue reading
The first spoken word in this film is “garbage”. I wouldn’t go quite that far, but I don’t quite get the big deal of this piece. Centring around four main characters, Andie Macdowell’s prudent homemaker Ann, her promiscuous sister Cynthia (Laura San Giacomo), Ann’s lawyer husband John (Peter Gallagher) who is sleeping with both of them, and his old college friend Graham (James Spader), this plays out slowly and plainly, with plot points signposted miles in advance. Graham hasn’t seen John for 9 years, but has moved back into town and needs somewhere to stay temporarily, so crashes at theirs. He seems a little off, a little antisocial and distanced from the world, and when Ann goes to visit him in his new apartment, she discovers he has a ‘personal project’ that involves him videotaping women discussing their sexual experiences, and occasionally masturbating. It seems the only way the impotent Graham can become aroused is via a camera, hence this rather literal stockpiled wank bank. The film shows how powerful a camera can be, with the subjects being more willing to open up when staring into a lens than someone else’s face, and Spader’s performance is riveting and genuinely unsettling at times, but watching Macdowell trying to act is painful, and not enough unexpected occurs.