In 1900’s Corleone, Sicily, a young Vito Andolini is left the only surviving member of his family after his father, brother and mother are all killed by the local mafia head, Don Ciccio. Vito flees to New York and adopts the new surname Corleone, and eventually finds that perhaps the best way of life for him is similar to the one that led to his family’s demise. Inter-cut with this story and following on from the events of The Godfather, a now in-charge Michael (Al Pacino), Vito’s youngest son, struggles to maintain his power with threats on many sides, including possibly one from within the family. Continue reading →
Don Vito Corleone (Marlon Brando) is the head, or Godfather, of his family and crime syndicate in 1940s New York. He receives a request to move into narcotics by up-and-comer Sollozzo (Al Lettieri), but when Vito declines, the Tattaglia family, with whom Sollozzo is in business, attempt to kill Vito and break the Corleone family apart. With Vito in hospital, it is up to his children – headstrong firebrand Sonny (James Caan), simple Fredo (John Cazale), newly married Connie (Talia Shire), war veteran Michael (Al Pacino) and adopted Tom (Robert Duvall) to resolve matters. Continue reading →
In San Francisco, profession surveillance expert Harry Caul (Gene Hackman) is working on his latest assignment, recording a discussion between a man and a woman in a busy courtyard. Having successfully recorded their conversation, Harry begins to grow suspicious that passing on the recordings to his employer may result in some dire consequences for those involved, as happened to Harry on another job sometime ago, which directly caused the murders of three people. Continue reading →
Based on a true story, Sidney Lumet’s tale of two inept criminals (Al Pacino and John Cazale reuniting after the Godfather 1 & 2) whose attempted robbery of a Brooklyn bank descends into chaos once the police, the media and the general public get wind of their plans. Pacino gives arguably one of his best performances – without resorting to ‘shouty Al’ – as he struggles to handle a situation completely out of his control, that is only ever going to become more so, and it’s refreshing to see a heist film with a couple of average Joes doing the robbing, as unlike Ocean’s Eleven or Inside Man, these guys have no plan, no masks, hell they even use their real names. Lumet excels when restricted to small locations (see 12 Angry Men), and here is no different, with almost the entire film taking place in and around the bank, as Pacino’s Sonny becomes a hit with the crowds gathering around the crime scene. Heading straight into the plot – Lumet rarely bothers with much initial back story – the direction is tight and entirely to the point, as every scene helps to progress the story further, or reveals a character detail previously unknown. There are some nice comedic touches – a bank teller hostage receives a call from her husband, asking what time she thinks she will be finished there, and when Sonny asks Cazale’s borderline psychotic Sal what country he wants to flee to, Sal replies “Wyoming,” and look out for Lance Henrikssen as FBI agent Murphy in one of his first film roles.