Dr. Constance Petersen (Ingrid Bergman) is a brilliant psychiatrist, but is lacking in bedside manner. She works at Green Manor amongst some quite sexist male colleagues and has never found love, until the new hospital director, Dr. Anthony Edwardes (Gregory Peck, and I’d love it if in E.R. Anthony Edwards played a Dr. Gregory Pecke, but alas life isn’t perfect) arrives to take over from long-term serving director Dr. Murchison (Leo G. Carroll). Constance and Edwardes become close but his behaviour concerns her, particularly his outbursts whenever he sees dark parallel lines against a pale background and, in digging into his past, Constance discovers that Edwardes may not be quite who he seems. Continue reading →
One stormy night, a traveller finds himself sheltering at Wuthering Heights, a rundown, morbid old house that we later learn used to be a home of joy and laughter. Warming himself by the fire, he is told by a servant the tragic story of Heathcliff and Cathy, which will apparently make him believe that ghosts can walk the Earth. Heathcliff, as a boy, was orphaned and then adopted from the streets by Mr. Earnshaw, who already had two children, Hindley and Cathy. The latter took a shining to the new boy, playing with him whenever possible and forging a firm bond, but her older brother saw this newcomer as nothing more than a stableboy, which is the position Heathcliff was reduced to when Mr. Earnshaw passed away and the property became Hindley’s by right. By this time, the adult Heathcliff and Cathy (Laurence Olivier and Merle Oberon) are obvisouly in love with one another, but their positions in society prevent them from doing anything about it. When their wealthy neighbour Linton (David Niven) falls for Cathy too, Heathcliff runs away, but seeing as this is a romance movie you know he’ll be coming back, and that it probably won’t work out all that well for everyone involved. Continue reading →
You know how the weirdo on the train always ends up sat next to you? The smelly guy, the raging drunk or the raving lunatic? Well any of these would be preferable to Bruno Antony (Robert Walker), a wealthy but evidently psychotic passenger sat across the aisle from Guy Haines (Farley Granger), a promising semi-professional tennis player with political aspirations. You see, Bruno has a plan for the perfect murder, or rather, murders, and wouldn’t you know it but he not only has someone in his life whom he’d like disposed of (his overbearing father, Jonathan Hale), but he also knows Guy is in a similar position with his separated wife, Miriam (Kasey Rogers). Bruno’s plan is for the two of them to swap murders, as that way there’d be no clear motive for their crimes, and whilst Guy forgets all about this after departing the train, Bruno evidently means to carry out his plot, and its not long before Miriam has been slain, and Bruno is hounding Guy to take care of his side of the deal.