Carrie White (Sissy Spacek) is a social outcast due to her crippling shyness, awkward nature and plain, dowdy appearance, all a product of her intensely overbearing religious mother (Piper Laurie). Carrie’s pariah status comes to a head when, after a particularly bad gym class, she experiences her first period in the communal shower at school and, not understanding what is happening, she believes she is bleeding to death and pleads with the others for assistance, who only provide mocking and humiliation. Her mother believes the blood to be a curse from Satan and locks Carrie in a closet, but it seems all this mental and physical torment is causing the traumatised girl to develop telekinetic powers. Continue reading
At some point in the future, crime in the United States – specifically Detroit – has become so out of control that the only way to adequately police it is with robots. Sounds cool, right? Unfortunately, the first prototypes – lumbering bipedal tanks called ED-209s – have a slight flaw that sees them killing their targets even after they’ve given themselves up. When OCP – the company charged with defending the city – opts not to use the ED-209s, an alternative solution is devised. Instead of building a robotic policeman from scratch, why not combine a critically wounded officer with replacement limbs to create the ultimate policeman. So when Alex Murphy (Peter Weller) is all but killed on duty, he becomes the perfect test subject for this new directive.