An Iranian film shot almost entirely in real time, about a young girl trying to buy a goldfish before the New Year, this is hardly action-packed cinema, but was still surprisingly gripping. Following her on the various ordeals she encounters, first convincing her mother to let her buy one, then losing her money not once but twice, and diverting along the way to the strangers who help or hinder her quest, you begin to genuinely care about the girl, and desperately hope that she accomplishes her fairly pointless mission.
Continue reading
Monthly Archives: April 2011
Independence Day
Much like Titanic (also on the list, some other time) this is a film that only really reaches its stride in the second half, once the iceberg has hit and the world starts to sink. Ignoring the obvious, huge and much-discussed plot holes (what if the alien spaceships didn’t operate on Mac OS?) this is actually a very enjoyable popcorn film, with Roland Emmerich unleashing his full hatred on mankind in the form of giant spaceships playing a lethal game of chess with the Earth. The cast contains many tongue-in-cheek performances by actors more known for comedy (Will Smith, Randy Quaid, Jeff Goldblum) and displays people from all walks of life, be they a drunken former abductee or a Clinton-esque president, berated for being too young, all bonding together to save their planet. At times it is a little too patriotic though, as we are shown late in the film that the rest of the world have been waiting for the yanks to come up with a solution (“About bloody time” complains a typically posh Englishman), but then in a big dumb action movie you can expect some big dumb ideas (Smith’s first human interaction with an alien sees him punching it in the head). Also, the US patriotism is probably more of a money-making plot, seeing as the director is actually from Germany.Chronique d’Un Ete
I can’t say I’m surprised that this film is unavailable for rental from Lovefilm. It’s essentially a collection of interviews with various Parisians in 1960, being asked whether they are happy, and discussing topics including life, success, wealth and race. As an insight into life there and then it is interesting, but only in how it highlights the differences and similarities between the inhabitants of the same city. It all gets bit meta later on, when the directors, an anthropologist and a sociologist, discuss how the film has been limited up to that point, before showing the film to the people interviewed within it. Their reaction to the documentary is included as part of the film, as is the directors subsequent discussion of the reaction of the film, and the difficulties they have had making it. Many years before commentaries and behind the scene footage was popular, these two were self-analysing and critiquing the film they were making, whilst they were making it, and filming it as they went, to be included in the very film they were analysing. It’s the kind of moebius-strip film-making that could good on forever, but thankfully doesn’t.
Good Will Hunting
Is anyone else waiting for the second Oscar-winning screenplay from Matt Damon and Ben Affleck? I know they’ve been busy (until recently, Damon more so than Affleck), and that they essentially wrote the script because they weren’t getting the roles they wanted, but the guys obviously have talent, and I hope they start tapping away again soon. Affleck could even direct this time, as he’s shown great promise with Gone Baby Gone and, apparently, The Town (I’ve not seen it yet but am looking forward to, I’ll keep you posted).
Continue reading
Miller’s Crossing
Election
Apologies, I watched this over a week ago, but haven’t had a chance to write anything until now, sorry. I’ve got a soft spot for Election that is also one of the reasons I don’t necessarily get on well with the film. Growing up, I was always a Tracy Flick kind of student. If there was ever a hand up in class, chances are it would be mine, I took my schoolwork very seriously and wasn’t necessarily the most popular person at school (shock horror), although I can’t say I distinctly remember sleeping with any members of staff, but I’ve blocked out a lot of my formative years so who knows what happened. So although I empathise with Flick, pitch-perfectly played by the Golden Globe nominated Reese Witherspoon, I feel sorrier for Matthew Broderick’s ethics teacher Jim McAllister, and even more so for my own previous teachers, who had to endure a real life version of Flick’s character.
Continue reading
Glengarry Glen Ross
Glengarry Glen Ross has an excellent ensemble cast that cannot be ignored, featuring Al Pacino, Ed Harris, Kevin Spacey, Alan Arkin, Alec Baldwin, Jonathan Pryce and the great Jack Lemmon, all sharing the screen and delivering award-worthy performances. In particular, I was very impressed by the mesmerising cameo from Baldwin as corporate ball-breaker Blake, brought in to motivate the employees of the real estate firm (or make them feel about 2 inches tall, whatever works) and Kevin Spacey’s weasel-like manager Williamson, knowing he has no right to his job and sticking firmly to the rules and regulations to make sure he keeps it. I was reminded of 12 Angry Men whilst watching, with the confined locations, all-male cast and stage origins of the story, as well as the heightening tensions, hot and wet climates and outbursts of anger from its central cast. Harris and Arkin, as the angry Moss and deflated Aaronow respectively, seemed a little one-note, but their characters were still vital to the story, and each had their highlights.
