All the President’s Men

This review was originally written as part of my USA Road Trip series over at French Toast Sunday.

June, 1972. Five men are caught having broken into the Watergate Complex, specifically the headquarters of the Democratic National Committee. Routinely checking out their trial, reporter Bob Woodward (Robert Redford) begins to suspect something may be up through some odd details of the trial, and a shared phone number amongst the address books of some of the accused. Bob’s colleague Carl Bernstein (Dustin Hoffman) helps Woodward write a piece on the potential scandal, and the two of them – with the support of their editor Benjamin Bradlee (Jason Robards) and a highly secretive and selective informant known only as Deep Throat (Hal Holbrook) – dig ever further into how far this story goes.
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My Week in Movies, 2015 Week 37

Ever since I was at school I’ve often had a tendency to bite off more than I can chew, taking on projects far more ambitious than I can cope with and producing a lacklustre finished piece as a result of rushing or making do. It could be argues my 1001 Movies challenge is one such project, and many weeks I would, but in this instance I’m not talking about movies, I’m talking about baking.
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This past weekend was my girlfriend’s birthday and, whilst we had dinner plans Saturday night, I wanted to make her a special dinner on Friday, especially after the cake she arranged for me a month ago for my birthday. So, on Friday night I came home via the supermarket, very precariously on a far too overladen bicycle that was also carrying a couple of bunches of flowers and some regular shopping items too. My plan was to spend the entire evening in the kitchen, briefly emerging with delicious food to enjoy with Aisha, before retreating back into my world of worktops and wonder. First step: make the custard for the hazelnut crème brûlées, and allow to set. Mistake number one: I didn’t make these the night before to give them enough time to set. As it turns out though, that wasn’t a problem, because whilst they were cooking I also made the main course, peppered steak with parmesan crusted chips, and somehow knocked the oven temperature up to maximum, so instead of hazelnut crème brûlées (which is basically a normal crème brûlée with nutella whisked into it and chopped hazelnuts mixed into the sugar topping) we had hazelnut scrambled egg, which wasn’t really what I was trying for. Fortunately I’d picked up some of her favourite ice cream just in case this sort of thing happened (this isn’t my first cooking catastrophe). The steak went well, a little well done for my liking but that’s how she prefers it, but I had high hopes for the cake, which I’d intended to be a hazelnut meringue pyramid, in the design of the Ferrero Rocher adverts. Only problem was, I’ve never really made meringue before, and one could argue I still haven’t, because what I made was under-whisked and under-baked, so not possible to construct a pyramid from. Reviewing my attempts after taking a break to wrap Aisha’s birthday presents (whilst watching a film, naturally) the clock said 2:30am and I called it a night. I didn’t bother making the ganache to hold the meringues together, because it probably would have gone wrong, and it’d be like building a wall by cementing together sea sponges. I didn’t even think about making the raspberry marshmallows I’d also planned. So, a failure all round really. There’s always next year I suppose.

Here’s what I watched this week:
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Donnie Darko

One morning in early October, 1988, troubled teenager Donnie Darko (Jake Gyllenhaal) is coerced into sleepwalking by a mysterious figure in a creepy giant rabbit costume. He wakes up on the local golf course and heads home, only to find a jet engine has fallen into his bedroom, with the FAA claiming no such engine is missing. Had Donnie been home, he’d have been killed. In his dream, Donnie was also told that the world would end in 28 days, 6 hours, 42 minutes and 26 seconds, so he sets out attempting to unravel this mystery whilst also dealing with the regular trials and tribulations of a teenager in the 80s.
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My Week in Movies, 2015 Week 36

Nothing much to report this week. I could go into the usual filler of the week’s events, excusing the lack of movies watched with reasons of visiting guests and adventures in leaving the house, maybe drop a brief anecdote about Murphy’s latest quest to destroy my life, primarily through learning how to turn the gas hob on while I’m at work, making every day a potential fireball (we’ve fixed this problem, please don’t fear for my life any more than usual) but that’s nothing new. So instead, here’s my thoughts on True Detective Season 2, which we finished watching this past week. Spoiler warning for the end of the season.
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I didn’t hate it. I’ve seen a lot of negative comments, and I can see where most of them are coming from, and I agree with a lot of it, but for the most part my feelings are positive. Here’s the thing; I didn’t flat-out love the first season. It was good, often great (that episode 4 tracking shot? Holy hell I’ve watched that like a dozen times since) but I wasn’t dying for the next one. So when season 2 rolled around my hopes weren’t as high as everyone else’s. I really dug the pilot (as each season follows new characters and plots, I’ll be thinking of the first episode each time as essentially being the pilot for that season). I liked the four separate storylines diverging around this one dead man, and I was intrigued as to how it would all pan out. Some of the characters felt a little similar, what with both Rachel McAdams’ Bezzerides and Colin Farrell’s Velcoro having problems with alcohol and Taylor Kitsch’s Woodrugh suffering from PTSD after his experiences with in the war, but over time the differences became clear and they all sorted themselves out. If anything, I could have maybe done with a little more time with their individual family and home lives, especially Bezzeredes, because if you cast David Morse as her father, I’m going to need him to be in at least half the episodes, not barely in three of them. The same goes for Fred Ward, but to a lesser extent. I also thoroughly approved of the inclusion of a criminal’s viewpoint, namely Vince Vaughn’s Frank. He and his wife (played by Kelly Reilly, who is excellent) have lost a lot of money courtesy of a guy dying in the first episode, so they’re trying to get their life back on track to survive this mess. Vaughn gets most of the best lines, although nothing ever came close to beating Farrell threatening a child who bullied his son with the promise ” If you ever bully or hurt anybody again, I’ll come back and butt fuck your father with your mom’s headless corpse on this goddamn lawn.” Shame that the script peaked in episode one, but there you go.

My main issue is the plot. I’m of the opinion that this series wasn’t about the investigation as much as it was what happens to these four main characters, but that’s because I never had any kind of idea what was going on, who any of these secondary or tertiary people were or why they were doing anything. Even after the final episode I’m still in the dark about a lot of things. There’s too many characters, too many names and locations. It’s the same problem I had with JFK recently, in that I just couldn’t keep track of it all. If I’d kept some kind of chart as I went along, or watched each episode a few times apiece then I’d probably have a better idea, but I didn’t, so I don’t. I’ve heard others says that this is the whole point, you’re supposed to go through not knowing what’s relevant, but when I’m lost with everything, I retained nothing. Like I said though, I’m OK with that, because I focussed on the characters, and I understand how they all ended up, and most of the reasons why, without needing to completely understand everything that’s going on outside of their comprehension. If they make a season three I’ll definitely give it a shot, especially because it’s likely to take a whole different turn to this one. I’d love a 40s or 50s style noir, following a Bogart-esque gumshoe, but I don’t think this is that kind of show. Alternatively, maybe something like Heat could work, following one main good guy and one main bad guy across the whole series. That’s kind of what I thought this would be, but with three detectives after Vaughn’s criminal. That might be too simple of a set-up for this show, but it’s what I’d enjoy. Whatever they do, I’d appreciate if they just used less characters overall, allowing more time to explore their lives in depth to a greater extent. What did you think of the show? Let me know in the comments!

As for movies, here’s what I watched this week:
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Schindler’s List

During World War II, an entrepreneurial member of the Nazi party, Oscar Schindler (Liam Neeson) takes advantage of the mistreatment of Jewish citizens by using them for cheap labour in his enamelware factory. However, as he gets to know his workers better – particularly his right hand man Itzhak Stern (Ben Kingsley) – and witnesses first hand the inhuman brutalities they must endure – particularly at the hand of concentration camp overseer Amon Goeth (Ralph Fiennes) – Schindler begins to realise the change he can make to the people around him.
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My Week in Movies, 2015 Week 35

There are different degrees of fandom and geekery. You might think that, considering I run a film blog, contribute to various others, host a movie podcast and spend a large portion of my daily life watching, discussing and generally thinking about movies that I’d consider myself a high level movie nerd. Well I don’t. I’m way more of a fan than the average man on the street, and amongst my friends I’m the “movie guy,” but compared to a lot of other people I’m barely scratching the surface. You want proof? Well, this past weekend saw the Bournemouth Film and Comic Con take place about four miles from my house, and I didn’t even go. It’s not like I’ve been to so many cons that I’m sick of them – I’ve never been to any – I just didn’t go. It was partially for financial reasons – August was a particularly expensive month, and September and October probably will be too – and also for time constraints, with various other things I’d planned to do this weekend, but there’s also the fact that there was very little advertised about the con that I wanted to partake in. I’ve no interest in collecting autographs or having my picture taken with figures from the world of TV and the movies. Yes I think Michael Biehn is great, but I don’t see how meeting him would improve my life, and I’d have nothing to say to him other than “Man, Jai Courtney shat all over Kyle Reese, right?” The same goes with Robert Englund, or Sylvester McCoy, both of whom were also present, along with Lou Ferrigno, Chris Barrie, David Prowse and the guy who plays Hodor on Game of Thrones. I respect all of their work, but I don’t understand what people get from having their signature on a DVD slip cover. No offence to anyone who is interested in this kind of thing, it’s just not for me.
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Speaking of this past weekend, I feel there’s proof that I may be maturing as a person. This weekend was a Bank Holiday weekend which, for people who don’t know, means everyone who doesn’t work in a shop or for the emergency services etc. got an extra day off. It happens a few times a year, and this was the last one before Christmas. I’ve got a few days off in October for the UK LAMB Meet-Up in London, but other than that I’ll be working solidly through to Christmas Eve for the rest of the year. In the past, my three-day weekends would have been filled with movies, TV shows and video games. This time last year I watched 9 films, in spite of having guests staying over. In 2012 I watched 11 films over the course of the three days. And what about this weekend? Surely I made good use of the time catching up and even getting ahead of some of my targets. I at least must have written some of my outstanding reviews. Nope. I watched a grand total of four movies. And I reviewed nothing. Not a damn thing. Granted, all four movies I watched were relevant to some goal or other, and I partook in two podcasts, one of which took almost three hours to record (but was well worth the effort, thanks French Toast Sunday!). I also did some gardening – I’m adding a stone border around the front lawn for easier lawn-mowing, and to match the one we put in the read garden recently – and some DIY, taking apart a vintage wooden bar, re-painting it and re-assembling. We also made a cake we were commissioned for, decorating it to look basketball-themed (we’re happy with it, but the finished product isn’t worthy of a photo on here), took Murphy out for some walks, has a nice pub lunch, I started Aisha’s birthday shopping, and generally just had a nice weekend, not cluttered with the stress of staying on top of my lists. I know I’ve got a weekend or two in my future where I’ll be left alone with the puppy, at which point I’ll get a bit more done, but for now I’m more than OK with the progress I’m making. Or not, as the case may be. Here’s the four movies I watched this week: Continue reading

Deliverance

This review was originally written for French Toast Sunday as part of my USA Road Trip series.

In a few months time, the Cahulawassee River is to be flooded by a dam. Four men, only two of whom have any experience canoeing, set out to row down a stretch of the river, before it is tamed by man and gone forever. However, the river has other ideas, as do the locals who don’t think too much of these naive city folk heading down their river.
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Vivre sa Vie

This review was originally written for Blueprint: Review.

Over the course of twelve chapters we experience the life of Nana (Karina), an aspiring actress and shop assistant who turns to prostitution when her acting career fails to take off.

There comes a point where you have to just sit back and declare that some things aren’t for you. You’ve tried them, often numerous times, but always with a similar, less than stellar result. No matter how hard you try, it’s just not something you can get on board with. And so it is with me and the cinema of the French New Wave. It’s not the worst I’ve seen – I’d possibly hand that crown to Godard’s À Bout de Souffle – but Vivre sa Vie comes close. It strikes me as a film in which the director is actively challenging the audience to pay attention, providing as he does multiple occasions where surely only the most fervent of viewers can remain engaged. Throughout this film we witness an entire letter being hand written, word by word, with the camera focussed intently on the letter. A poem is recited, in full. A conversation is had with French philosopher Brice Parain. And through all the ambling, overly self reflective, ponderous yet vapid naval gazing I struggle to maintain a grip on my conscious state as Godard hints at, but never fully embraces a narrative.
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My Week in Movies, 2015 Week 34

Brace yourself, this is probably going to be a long one.

I’m not a big believer in therapy. Or rather, therapy for myself. I don’t doubt that there’s a chance I’d come out the other side a more well-rounded individual, but I begrudge paying money for something I think I can work out on my own. A friend of mine goes once a month, and they think I should go, but money and time prevent it, as does my personal misgivings. I think I know what most of my problems are, and most of them are fine, I just need to stop beating myself up about them, and I’ve decided to use this week’s column as a little personal therapy. Read it, don’t read it, that’s fine. I just want to write this shit down.
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I don’t take compliments well. It’s something I’ve been thinking about a lot lately, in terms or pressure. Watching The Breakfast Club recently for the latest Lambcast on the films on John Hughes has made me contemplative about some things. I’ve discussed before, and mentioned on both that Lambcast and an upcoming episode of the Mad, Bad and Downright Strange Showcase that I deeply empathise with the character of Brian in The Breakfast Club, as played by Anthony Michael Hall. He is in the Saturday detention for taking a gun to school, with the intention of killing himself because he got an F in Shop class, and that’s a grade he can’t live with. I won’t go into too many details, but that’s something I can relate to. At school I got good grades pretty much across the board. I don’t count nonsense like P.E., because that’s not really a subject as much as it is ritual humiliation, but everything that could be considered academic was something I did well in. This wasn’t through luck, I wasn’t a gifted kid, I worked hard at my studies, spent most every evening up in my room doing homework, and I was even the kid who asked for more or voluntarily did extra, for reasons I’m not even sure existed. One English class required a few bullet points on a topic of some kind, and I remember writing a 6-page essay. And my lunch breaks weren’t spent outside playing, I was a pupil librarian, and when I wasn’t alphabetising or logging lendings, I was sat in the library, doing even more homework, because all that mattered was the grades. Good grades meant college. Good grades in college meant university. Good grades at university meant a good job, and a good job meant success. This was the route laid out in front of me, and there were no other paths available. Not getting good grades wasn’t an option. All those other kids around me who weren’t working every hour available knew some kind of secret I didn’t, something about some other way to progress in life regardless of these grades, but this was the only route I knew. So I studied. And I got the grades. I even won some awards, but nothing special. The problem was, the more good grades I got, the more good grades people expected me to get. I was always top of the class, especially in English and Maths, but now and then someone else would pip me to it, and there’d me a murmur around the room. People would look at me, some might even laugh. Whether this actually happened or not I can’t say. It’s likely it was all in my head, but even still I felt this pressure. This constant pressure that I wasn’t good enough. I’d got good grades before, so I must surely be capable of them again. By not maintaining a pole position I saw myself as letting people down, Disappointing my teachers, setting myself up for degradation and ridicule from my fellow students, and worst of all letting my parents down; there’s nothing worse than that.

Since school I’ve gradually settled into a life of mediocrity. There are few things I do that I even close to excel at, and that seems to be the key to not beating myself up. I’m at best satisfactory at my job. I’m at times above par as a boyfriend, but very much below par as a dog owner. I’ve recently taken up badminton, at which I’m enthusiastically crap, but I’m good at cycling and can sprint far faster than most people my size. I’m maybe in the top 10 refrigerator optimisers of all time, but my DIY skills are laughable. All in all, it runs to an average. I won’t appear in any history books for setting the world on fire, but I’m also unlikely to be executed for crimes against the royal family. On the theme park rides of life, I’m settled on the merry-go-round. With little achievement comes little expectation, and with little expectation comes little pressure.

So what does this have to do with my blog? I clearly don’t have any kind of prowess when it comes to writing reviews. My opinions on films tend to revolve around personal almost-anecdotes, snide remarks and discussions on what woodland creature an actor’s haircut makes them look like. I’m not trying to be a great writer, I no longer harbour the dreams of taking this to the big leagues and maybe one day earn a living writing about movies (truth be told, I have no aspirations whatsoever, which people close to me find infuriating, but I find refreshing and liberating). Granted, my lack of desire to make this a career stems from my certainty that I’m nowhere near good enough at it, and will never have the drive to become so. The problem comes when other people – that’d be you fine folk who, if you had any sense, would have stopped reading this long ago – leave me comments. I can’t remember the last time I wrote a review I was truly happy with, one that I’d be proud to have printed on that old papery stuff from the olden days, with my name at the bottom and a garish photo of me at the top, or at least some male model I’d paid to pretend to be me, because no-one wants to see my face anywhere. Yet sometimes people leave comments with the phrase “Nice review!” in them, or some such sentiment, and part of me, a very small part I try to hush, says “See, they liked it, you can write good stuff!” That’s a dangerous thought track to go down, and it’s never ended well. If I’m capable of writing good reviews, then every review can be good, so every review should be good, and I shouldn’t post a review until it’s as good as I can make it. This ends with me throwing my laptop at a closed window in frustration when I stare at a blacnk screen for four hours straight, unable to begin my next masterpiece.

Case in point, a few weeks Wendell, the glorious chap that he is, commented on one of these regular weekly posts saying it was his favourite so far. I was grateful for the sentiment, especially as it came from one of the more introspective of these posts – up until this one, that is. However, one week later I was staring at my screen wondering how to repeat the quality of the former week’s post. I had nothing. No ideas. No jumping off points. Nothing to do but post a photo of my velociraptor birthday cake and move on to prattle about sleep. The next week suffered the same fate, but found me making a contrary point to the previous week. I found myself buckling under the pressure to write something worthy of being read, and by an arbitrary midnight-on-Monday deadline. And then it hit me. Who cares? If a week goes by with nothing to say, maybe I should just say nothing? Get into the mini weekly film reviews and get out. Why am I stressing over something that by my own admission doesn’t matter? If my blog disappeared from the internet, the world would keep a-turning and you’d all use the time to find something better to read, I don’t doubt it at all. Hence why this didn’t get written in the dead of night yesterday. I had other stuff to do, some of which was sleep (I had an early start this morning and an expiring episode of True Detective to catch up on, expect my thoughts on series 2 once I’ve watched the remaining two episodes in the coming weeks) and when I went to bed I slept soundly, knowing nothing bad had happened due to my lack of posting a weekly post that doesn’t even go towards my blogging goals. Similarly, I remembered this morning that I hadn’t written my Blind Spot review for The Matinee’s monthly post, which goes out on the last Tuesday of every month, which just so happened to be today. I got something written, on JFK, but I missed the deadline by a few hours, and no giant anvil fell from the heavens to crush me. My keyboard did not explode. Ryan just added me to the list a little later, and my day carried on going.

That’s what I’ve come to realise – for me at least, this doesn’t matter. My blog is my hobby. I write film reviews because I want to. I want to get to the end of the 1001 List, and I want to review all the films on it, mainly so I’ve got a reference point for the future for all the films I’ve forgotten, which will be many, and already is lots. This isn’t about anybody reading my writing, although I’m grateful for those of you who do, I enjoy interacting with you all, and I can only apologise for the little I comment on your own sites, which also stems partially from my feelings of “Well that’s my opinion, but they won’t want to hear it.” I’m not going to stress over meeting my blogging goals. They’re an aim, and I’ll be a little disappointed if I don’t accomplish them all by the end of the year, but in the grand scheme of things, what does it matter anyway? Here’s what I watched this week: Continue reading

JFK

On November 22nd, 1963, President John F Kennedy was killed, supposedly by lone gunman Lee Harvey Oswald, who himself was killed by a man named Jack Ruby before the case could go to trial. Despite several other theories, the case was dropped for three years, until Jim Garrison, the District Attorney of New Orleans, picked it up again after noticing some discrepancies within the Warren Report, written to document the details of the assassination. Garrison and his team re-launch the investigation, certain that there is more to it than simply one man and his gun.
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