In an undisclosed future date, Theodore (Joaquin Phoenix) doesn’t have much in life. He lives alone, almost divorced from his wife Catherine (Rooney Mara), with his only intimate moments taking place with strangers over the phone. For work he writes personal messages to and from people he’s never met, and he spends his spare time playing video games featuring a verbally abusive child-like being. That is until Theodore meets Samantha (Scarlett Johansson). She understands him. She spends all her time with him. They make each other laugh and have stimulating conversations. Oh, and she’s the operating system on his new phone.
Riley (Kaitlyn Dias) is an 11 year old girl living in Minnesota with her parents (Diane Lane and Kyle MacLachlan). She is a normal girl who enjoys hockey, spending time with her friends and having fun with her family. All that changes when they move to San Francisco, and Riley finds herself having to deal with some unfamiliar emotions and situations. Most of this plays out in her head, where Riley is operated by her five core emotions, Joy (Amy Poehler), Anger (Lewis Black), Disgust (Mindy Kaling), Fear (Bill Hader) and Sadness (Phyllis Smith). However, when Joy tries to prevent Sadness from interfering with Riley’s memories, the two find themselves lost in Riley’s long term memory, leaving Anger, Disgust and Fear at the helm. Continue reading →
It’s never a good sign when the first joke from a so-called comedy film is a throwaway gag stolen from Clueless, two friends talking on the phone, the conversation ending seconds before one collects the other on the way to school. This kind of base level unoriginal humour, along with a very immature, puerile level of swearing and obsession with alcohol, girls and sex may well be indicative of teenage boys, but doesn’t make for entertaining viewing to those of us older than 15. Apparently Evan Goldberg and Seth Rogen wrote the script whilst still in school, and it shows.