When she is forced to babysit her infant half-brother Toby, selfish teenager Sarah (Jennifer Connelly) invokes a goblin magic spell that summons Jareth, the Goblin King (David Bowie) to snatch Toby and take him to the Goblin Kingdom. Sarah has just thirteen hours to make her way through Jareth’s labyrinth to save Toby, or he’ll be turned into a goblin and will stay there forever. Continue reading →
An alien (David Bowie) has come to Earth and disguised himself as a human. How did he get here? What does he want? Why is his first act on our planet to apply for patent protections? Is that really Rip Torn? All these questions and more will be answered and immediately replaced with others in this oddball 70s sci-fi brain-botherer from Nicolas Roeg. Continue reading →
Fittingly, The Prestige is a trick of a movie, a plaything, director Chris Nolan toying with the audience like a cat with a ball of string. Everything, from character motivation to the narrative timeline is entangled for the audience to figure out, as the tale of two rival magicians, Hugh Jackman and Christian Bale, unfolds. Jackman’s Robert Angier is a showman, but lacks the skill of Bale’s Alfred Borden, himself too concerned with the technicalities of the illusions to be entertaining. Hell, even the film’s genre, seemingly a period drama, reveals itself to be more science fiction who-dunnit (not to mention what-dun-and-how). Nothing is as it seems, but on a repeat viewing you pick up the clues, noticing that Nolan did indeed signpost the way, but the plot, characters, setting and acting was too mesmerising, too engrossing for us to notice.