John Wick

This review was originally written for Blueprint: Review.

John Wick (Reeves) has suffered a loss. His wife (Moynaham) recently passed away, but after her funeral Wick is delivered a final gift from her, in the form of the most adorable beagle puppy ever. It’s like it was created in an adorable puppy factory. Anyway, this gift was intended as something for Wick to focus on instead of his grief, something to drive him past this unbearable experience and continue on with his life, so when he runs foul of low-life Russian gang member Iosef (Allen) with an eye for Wick’s vintage Mustang, and Iosef beats up Wick, steals his car and kills the dog, needless to say some vengeance is very much on the cards.
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Moulin Rouge!

This is that rarest of creature; a heavily female-pitched film – a musical, no less – that appeals to guys just as much as the gals. The main problem Moulin Rouge faces though is that not many men have actually seen it, immediately being put off by the idea of watching a soppy romance in France for 2 hours, where the closest thing to a bit of totty is a vapid Nicole Kidman, face set to simper, and that goddamned Lady Marmalade song is likely to be played every 10 minutes. But put aside the prejudice and you’ll find a film positively brimming with style and creativity.

Embracing its stage show inspirations we open on a curtain, a conductor commanding the orchestra to play the 20th Century Fox theme. Abandon any buttoned-up fustiness here, for what follows is a tale of bohemian values, elephant-shaped boudoirs, mistaken identity, forbidden love and some of the most gloriously hammed-up performances since the days of silent pictures, especially Jim Broadbent as red faced showman Harold Zidler and Richard Roxburgh’s snivelling Duke. The songs – mostly rejigged versions of classics from Nirvana to Queen via Shirley Bassey – are worthy of owning the soundtrack, as long as you don’t mind skipping track 2 every time, and far as I can tell the choreography isn’t bad either. The Roxanne Tango, Broadbent’s hilarious Like a Virgin and the showstopping central Elephant Medley are easily the highlights, though some of Kidman’s slower numbers do begin to drag.
Whilst Kidman and Ewan McGregor are usually far from being my favourite performers, here she is adorable and sexy, he is charming and sweet, and it is refreshing to see a cast clearly having a great time, being given the opportunity to overact to their hearts content whilst still giving tremendous performances.
Choose film 8/10