My Week in Movies, 2017 Weeks 33-52

Oh jeez. It’s been… holy hell it’s been months. I’m sorry. Really I am. Things just got away from me and kept on going. That’s the past now though, let’s celebrate the here and now. If you’ve been wondering what I’ve been up to for the past half a year, well:

I designed, made, wrote instructions for and recorded a video of an origami Blade Runner unicorn for Total Film magazine, which can be seen here. I used to read Total Film a bunch growing up, so this was kind of a bucket list item, even if it wasn’t really in a movie capacity.
Built a Lego Millenium Falcon (the one from The Force Awakens, not the new giant one) and a Lego First Order Heavy Assault Walker.
Started watching E.R., and finished series 1 & 2
Met up with fellow LAMB friends from America and the UK – some for the first time – and found many snarky things to bond over
Archived a bunch of Lambcast shows, though still not up to date
Made 1,000 origami cranes
Spent a solid 10 hours making fudge
Spent a solid 6 hours making brownies
Watched a bunch of Harrison Ford movies
Planned an extended James Bond marathon
Failed to accomplish said James Bond marathon, instead just watched two movies over a period of a month
A new 1001 book came out and I’ve barely even looked at the new additions.
Became an uncle
Saw Jurassic Park on the big screen for the first time, at my first outdoor screening, and still found new details even after all these years.
Attended my first funeral (my partner’s grandfather passed away) and gave a reading at it, despite probably being the person there who knew him the least.
Attempted to write this post at least 26 times.
Visited Canada, specifically Victoria, Tofino and Vancouver, where we saw bears, whales, otters and raccoons, and I tried a bunch of new food including poutine (I know it’s just chips, cheese and gravy, but I really thought it’d be more than the sum of its parts), fish tacos and artichokes.
And oh yeah, I went and got married, no big deal. That’s what the cranes, fudge and brownies were for.

Anyway, in all that time I have also watched a bunch of movies, so let’s get down to business. Here’s everything I saw since the last one of these posts:
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Top 5… Movies that should be musicals

Today I’m going to see Dirty Dancing at the Mayflower in Southampton. Not my idea, long story. The previous musicals I’ve seen have all either been of films I either love (The Lion King) or at least enjoy (Chicago, film review will be along shortly), or heavily feature music by an artist I’m a big fan of (We Will Rock You), but Dirty Dancing ticks none of these boxes, in fact it’s based on a fairly terrible movie. So I got to thinking, what movies should be made into musicals? The other adaptations out there do not interest me at all (Sister Act, Billy Elliot, Shrek, Ghost, Legally Fucking Blonde). There’s a couple I probably should have seen by now (Spamalot) but for one reason or another haven’t gotten around to, but I think if any of these came to my local theatre, I’d be a little more tempted.
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Moulin Rouge!

This is that rarest of creature; a heavily female-pitched film – a musical, no less – that appeals to guys just as much as the gals. The main problem Moulin Rouge faces though is that not many men have actually seen it, immediately being put off by the idea of watching a soppy romance in France for 2 hours, where the closest thing to a bit of totty is a vapid Nicole Kidman, face set to simper, and that goddamned Lady Marmalade song is likely to be played every 10 minutes. But put aside the prejudice and you’ll find a film positively brimming with style and creativity.

Embracing its stage show inspirations we open on a curtain, a conductor commanding the orchestra to play the 20th Century Fox theme. Abandon any buttoned-up fustiness here, for what follows is a tale of bohemian values, elephant-shaped boudoirs, mistaken identity, forbidden love and some of the most gloriously hammed-up performances since the days of silent pictures, especially Jim Broadbent as red faced showman Harold Zidler and Richard Roxburgh’s snivelling Duke. The songs – mostly rejigged versions of classics from Nirvana to Queen via Shirley Bassey – are worthy of owning the soundtrack, as long as you don’t mind skipping track 2 every time, and far as I can tell the choreography isn’t bad either. The Roxanne Tango, Broadbent’s hilarious Like a Virgin and the showstopping central Elephant Medley are easily the highlights, though some of Kidman’s slower numbers do begin to drag.
Whilst Kidman and Ewan McGregor are usually far from being my favourite performers, here she is adorable and sexy, he is charming and sweet, and it is refreshing to see a cast clearly having a great time, being given the opportunity to overact to their hearts content whilst still giving tremendous performances.
Choose film 8/10