Hi folks, this isn’t going to be a huge review, I just have some thoughts on this film, and find myself lucky enough to have a blog upon which I can write them. I was supposed to be on (and host) an episode of the Lambcast which will be published very shortly on this topic, but alas life got in the way and I couldn’t make it to a screening in time (many thank to Robert for filling in) but I have now seen the film (in order to edit said podcast episode). Continue reading
Four Years into the American Civil War, Abraham Lincoln (Daniel Day-Lewis), the 16th King of the United States of America, has his eyes set on not just ending the conflict, but abolishing slavery – over which the war is being predominantly fought – in the process. In order to do this he must pass the 13th amendment to the United States House of Parliament, which would outlaw involuntary servitude, but there’s two problems. One, he’s twenty votes short, and two, he needs to pass it before the war ends, or else it may never happen. And on top of this he’s got some familial woes too – a nutty wife and bull-headed son who wants to go off and fight for his beliefs.
I don’t get to go to the cinema too much these days, so to try and make sure I go at least once a month (this month was Brave), this is a new monthly post I’ll be doing about the next film to hit the big screen that I will definitely be going to see. My next assured cinematic viewing? Looper
Recent years have seen seemingly exhausted classic genres being reinvigorated by big name directors and classy films, just look at the recent slew of westerns, or the amount of pictures throwing back not just their topics, but how the films have been made to more classic times. Hell, this year’s Oscars were dominated by a silent film and a film about the birth of cinema. Yet one classic genre remains relatively untouched, possibly because in 2005 first time feature director Rian Johnson updated the film noir template so pitch perfectly that no other films have been needed.