1941

Okay folks, strap in. Six days after the attack on Pearl Harbor in December 1941, the United States of America was concerned about another attack on US soil. 1941 follows a bunch of people in and around California over the course of one day, including:
– The crew of a Japanese submarine searching for something honourable to destroy, commanded by Akiro Mitamura (Toshiro Mifune) alongside German officer Wolfgang von Kleinschmidt (Christopher Lee), and eventually kidnapping Christmas tree salesman Hollis P. Wood (Slim Pickens).
– US Air Force captain “Wild” Bill Kelso (John Belushi) apparently chasing Japanese aircraft in his Warhawk.
– Captain Loomis Birkhead (Tim Matheson) attempting to seduce old girlfriend Donna Stratton (Nancy Allen), now the secretary of General Stillwell (Robert Stack), complicated by the fact that Stratton can only become aroused in a flying airplane, and Birkhead is not a qualified pilot.
– Civilian couple Ward and Joan Douglas (Ned Beatty and Lorraine Gary) are presented with an anti-aircraft gun due to the coastal location of their home.
– The Douglas’ daughter, Betty (Dianne Kay), wants to go to the jitterbug dance with newly-unemployed former-dishwasher Wally (Bobby Di Cicco), which becomes a problem when the dance becomes only available to enlisted men, much to the joy of the aggressive Corporal Sitarski (Treat Williams), who has eyes for Betty, whilst Betty’s friend Maxine (Wendie Jo Sperber) very much has the hots for Sitarski.
– Two members of the Ground Observer Corps (Murray Hamilton and Eddie Deezen) are posted atop a Ferris wheel, keeping watch for any approaching enemy forces.
– And finally, devoid of any real through-plot, there’s a tank crew comprised of Sergeant Tree (Dan Aykroyd) and Privates Foley (John Candy), Reese (Mickey Rourke), Henshaw (Walter Olkewicz) and new addition Jones (Frank McRae).

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Big

When 12-year old Josh Baskin is denied a ride on a roller coaster for being too short, and is therefore embarrassed in front of his dream girl, he wishes himself big at a fairground fortune booth. The next morning he awakes as a 30-year old Tom Hanks, complete with chest hair, deeper voice and a ripped pair of space pyjamas. So ensues a fish-out-of-water comedy, as Josh, having been chased from his house by his understandably terrified mother, must fend for himself in the big wide world.
Hanks is incredible as man-child Josh, in his first truly memorable role, utterly convincing in an underappreciated performance, arguably Hanks’ best, be it kneeling on a chair, eating Oreos or simply swinging his bag as he walks, every touch adds to the sense that this really is a 12-year old boy in a man’s body.
If there are any faults, they lie in the third act, when the clichés drop thick and fast into this previously original movie. Josh begins to realise his responsibilities and grows up, ditching his best friend for a girl and eventually, if a little suddenly, realising that he just wants to be a kid again. There is also one of the most uncomfortably wrong relationships ever seen in film between Josh and corporate climber Susan (Elizabeth Perkins), so squirm-inducing it probably would have been omitted today (that said, it’s just as bad as the centuries-old vampire/teenage girl romance from Twilight… not that I know anything about those films). But regardless of however many faults the film may have, one scene, featuring Hanks, his new boss (Robert Loggia) and a giant floor keyboard in a toy store, makes any film worth watching. This is the kind of scene that never fails to cheer me up.
Choose film 8/10