Frank and April (Leonardo DiCaprio and Kate Winslet) are the Wheelers, a seemingly perfect couple living in suburbia in 1950s America. Frank works in the city, whilst April stays at home and takes care of the kids. Whilst from the outside they both seem happy, internally they both strive for something more, be it lost dreams, someone else to share the bed, or simply some good old fashioned happiness. Continue reading →
As I’m sure you’re aware by now, Disney recently bought LucasFilm, and are currently planning on releasing the next trilogy of Star Wars films, starting in 2015 (which is looking like a pretty damn good year for movies so far, what with Avengers 2 and the Justice League movie). Currently nothing has been set in stone other than a frankly ridiculous amount of rumours over cast and crew, so I’m going to throw my hat into the already over-hatted ring as to whom I believe would make a decent director for what proves to be one of the most eagerly, yet cautiously, anticipated films of the next few years. As I like to do sometimes, I’ve made two lists, one of a safe pair of hands to kick off the trilogy, and another list of film-makers who could add an interesting spin on the series that I’d quite like to see. Continue reading →
A hard drive containing the identities of MI6 undercover agents is at risk of going missing, so James Bond (Daniel Craig) is trying to catch the thief in Istanbul, with the assistance of field agent Eve (Naomie Harris). When Bond is shot and presumed dead, his superior, M (Judi Dench), takes the blame, but when Bond returns from the grave, he must track down the files to save not only his country, but his boss. Continue reading →
Sometimes a director will knock a film out of the park on their first go. This is never a bad thing, unless of course the director then spends the rest of their career chasing a high they may never achieve again. Whether its a matter of a budget they can’t handle, an inflated ego, troublesome actors or the interference of a pesky, meddlesome studio, these directors just haven’t managed to get things together to relive those past, initial glories.
There are few people in the world who don’t like The Shawshank Redemption, yet it was Darabont’s first feature film after just a short and a couple of TV movies. Since its release in 1994 Darabont very nearly reached its heady heights again with the similarly Stephen King scribed The Green Mile, but it was overlong and a tad too depressing at times for my liking. The Majestic is under-appreciated but nowhere near as good, and though I really like The Mist, it can never be more than a slightly above average monsters-from-a-parallel-dimension B-movie. The Walking Dead had the potential for greatness, and is still very enjoyable, but it’s doubtful whether anything Darabont makes will ever reach Shawshank-like levels of greatness.