Set over a two-year period, Hannah and Her Sisters follows the numerous exploits of three sisters living in New York and their various friends and family. Hannah (Mia Farrow) seems to have her life most effectively in place. She is an actress, getting back into her work after taking time to raise her children, and is married to her financial adviser husband Elliot (Michael Caine). Elliot however has been harbouring a long-standing infatuation with Hannah’s younger sister Lee (Barbara Hershey), who is in a relationship with standoffish artist Frederick (Max von Sydow). At the apex of Elliot and Lee’s joint feelings of dissatisfaction with their partners, the pair sleep together, and must deal with the ramifications. Meanwhile the third sister, Holly (Dianne Wiest) is a recovering drug addict turned aspiring actress and restaurateur, self-employed as a caterer alongside her friend April (Carrie Fisher), a colleague and competitor for both acting roles and eligible men. Finally Hannah’s ex-husband Mickey (Woody Allen) is a stressed out hypochondriac, whose latest imaginary malady might turn out to be his most serious, and his last. Continue reading →
OK, I’m going to try and post a little more frequently now, instead of allowing a stock pile of watched films to be reviewed en masse at the weekends. I’m thinking maybe if I watch a film, I post about it the same day. Sound good? Awesome. I’ve checked my stats, and I’m a few films behind where I should be (I just made a graph, how I love Excel!), so I need to step this up a little. Also, I’ve had a check on LoveFilm, for when I eventually join, and there’s quite a few films I’m going to have difficulty getting hold of as they’re not available for rental, but we’ll cross that bridge another day.
I’ve just watched The Killing Fields, a film in two halves that deals with Sydney, a reporter for the New York Times (Sam Waterston) stationed in Cambodia, and his interpreter/assistant/friend Dith Pran (Dr. Haing S. Ngor). During the troubles in Cambodia, Sydney and his fellow reporters (including John Malkovich) are taken capture by the Cambodians. If not for Pran, they would surely have been killed, so when the reporters are evacuated and Pran is unable to leave, Sydney does all he can to help his friend escape.