This has been my most productive film-watching (and reviewing!) fortnight in a long time, even if none of the films I watched were for reviewing purposes. Aisha and I had a couple of sickly weekends (we’re both still under the weather now, but less so than before), and much of them were spent wrapped up warm in the familiar embrace of Pixar. Speaking of which, as there’s a lot to discuss this week, let’s get straight into what I’ve been watching recently. I’ll most likely be keeping it brief on the films I’ve discussed before, and focusing more on the new stuff: Continue reading →
Today is a momentous day, that shall be noted and celebrated in the history books for years to come. For today, you see, marks the return of my oh-so-popular Top 10 lists, which I intend to churn out on a weekly basis, and tie in to the most recent Lambcast’s topic, for as long as I am able to.
This week, to coincide with the podcast devoted to the original Planet of the Apes franchise (which can be listened to here), I’m counting down my Top 10 Movie Apes:
Honourable mention: Limbo, Planet of the Apes (2001)
Apes and monkeys are a familiar feature in movies. This is most likely due to their close resemblance in both size and appearance to humans – apparently we’re somewhat closely related – meaning that in the days before CGI they were relatively easy to depict, by simply sticking a guy in a gorilla costume. Also, real life ones are more really trained than most other animals so when a man-in-a-monkey-suit didn’t do it for you, in many instances a primate could be taught or trained to do the tasks available. For my honourable mention there are a lot of possibilities, from 28 Days Later‘s Rage-infected disease spreaders to the Jackie Chan voiced martial artist in Kung Fu Panda, but instead I’ve opted for Limbo, potentially the only good element of Tim Burton’s Planet of the Apes remake. I re-watched the film for the podcast, which is something I never intend to do again, because frankly it’s not a very good film. The plot jumps around all over the place, interesting characters are sidelined or killed off, there’s a bizarre and frankly implausible love triangle and an ending that defies logic and reason, but two things it has going for it are tremendous prosthetics and phenomenal acting performances beneath them. In my memory, Tim Roth’s General Thade was the stand-out, but now my memory has been stirred I can see he over-acts every second he is on screen, permanently glowering and furious at everything, including one scene in which he’s supposed to be seductive! The always dependable Giamatti however offers some much needed comic relief as the cowardly orang-utan slave owner Limbo. Continue reading →
Today’s volatile weather conditions allowed for a productive afternoon film-wise, as a planned bike ride along the beaches of Bournemouth was cut short by sporadic torrential downpours, meaning I crossed a trilogy off the list; Toy Story 1-3.
Watching the original Toy Story, the first feature-length motion picture created entirely using computer animation, always send me back to my childhood, aged 8 years old, sat in the cinema watching in wide-eyed wonder as the pixels were brought to life before me, with my Dad sound asleep in the next seat. It’s one of my earliest film-related memories (my earliest cinema experience that I know of was the Lion King, but that’s another post). Continue reading →