Platoon

Charlie Sheen is Chris Taylor who, after dropping out of college because he wasn’t learning anything, volunteers to fight in the Vietnam war, amongst recruits including Keith David, Forest Whittaker, Tony Todd, Kevin Dillon and a young Johnny Depp. The platoon is split, with half drawn to Willem Dafoe’s free-thinking, laidback stoner Sergeant Elias, with the rest, including brown-nosing Sergeant O’Neill (John C. McGinley), prefer the ethos of scarred Staff Sergeant Barnes (Tom Berenger), who counts success by how high the bodies are piled, rather than whether peace has been achieved.
There’s an interesting film buried in here somewhere, but it either follows Sheen’s naive, error-realising private or the conflicts between the two sergeants and their unrespected, inexperienced Lieutenant (Desperate Housewives’ Mark Moses). Some gripping moments stand out – a night ambush, and the colour slowly fading back in after a white-out napalm drop – but the rest is underwhelming and littered with trite or cheesy dialogue and 5-cent philosophising: “We did not fight the enemy, we fought ourselves, and the enemy was within us.”
Choose life 6/10

Waltz With Bashir

An Israeli animated documentary about the Palestinian conflict that at one point features a cartoon porn sequence? Righty-O. Artist/director Ari Folman, himself a Lebanon veteran, employs a unique cel-shaded animation style to assist in recounting the dreams, memories, flashbacks and hallucinations of his fellow surviving comrades that, whilst beautiful and visually striking, occasionally detracts from the already fascinating tales his friends have to tell. The style fits well with the inspiring dreams – packs of yellow-eyed feral dogs chasing through the streets – but during the one-on-one conversations that inspire the stories, the style feels jerky and distracting, so perhaps these sequences would have been better off using real footage or kept as voiceover.

Choose film 6/10

Unlisted: Bill Cunningham New York

Chances are, you’ve never heard of Bill Cunningham. If he cycled past you on the street you may not give him a second glance, and if you saw him hop off his bike to take pictures of a pretty young thing in attractive attire, you’d be forgiven for thinking him to be nothing more than a dirty old man, but Bill is one of the most interesting, knowledgeable and influential fashion photographers working today, and he’s over 80 years old.
For Bill, you see, is behind two regular columns for the New York Times. Evening Hours sees him documenting the goings-on of New York’s night life at various functions and parties around the city; whilst On The Street gives Bill a chance to publish the photographs he’s taken of the more creatively dressed pedestrians he finds wandering around the Big Apple. Models and celebrities are not necessarily of his concern; it is the clothing that catches his eye, from a unique hat or novel colour combination to something truly original. He treats everyone the same, from supermodels to the bag women living on the streets, as long as it’s something different, and he’s not afraid to call out the likes of Mizrahi or Armani if they dare to release a new line similar to something that’s already been done. At one stage in his life, Bill owned a hat store, yet had no interest when the likes of Ginger Rogers and Joan Crawford graced his doorway, for in his mind they just weren’t stylish.
For all his love of the fashion world, the octogenarian doesn’t exactly cut a stylish figure in his functional street-sweeper jacket, flat cap and duct-taped poncho, and for the most part Bill isn’t in it for the money. He lives in a tiny one-room apartment with no kitchen, no wardrobe, and barely a bed crammed in amongst the forest of filing cabinets holding negatives of every photo he’s ever taken.
If you think that everyone in the fashion world refuses to leave the house without being ready for the catwalk, this is a must-see, and will even appeal to those without any interest in style (oh, wait, that’s me!). It’s refreshing to see someone with a true passion, who doesn’t mind working for next to nothing, genuinely enjoys what he does and is rewarded for it, yet still remains courteous, honest and immensely dedicated even in his autumn years, and to prove it, the likes of Tom Wolfe, Patrick McDonald and Anna Wintour all show up to sing Bill’s praises.
Choose film 7/10

The Diving Bell and the Butterfly

42-year old Jean-Dominique Bauby (Mathieu Amalric) lives a life of wealth and excess, flitting between his three young children, a successful career as editor of Elle magazine and the bevy of beauties ready to satisfy his every need. But one day, on a drive with his eldest son, Jean-Do suffers a stroke and becomes a victim of ‘Locked-In Syndrome’, an extremely rare condition leaving him fully conscious but completely paralysed, except for blinking his left eyelid.
Beginning with the blurry, distorted hospital room swimming into focus, much of the film is shot from Bauby’s perspective, including the harrowing experience of having his right eyelid sewn up, seen from the inside. Amalric’s narration is wonderful, encapsulating the frustration of a man used to extreme independence, who now cannot wash, communicate or even move without another’s assistance, and praise must also be given to the supporting cast of implausibly attractive therapists and assistants tasked with acting to a camera for a lot of the film, and Max Von Sydow as Bauby’s elderly, apartment-bound father.
A story of triumph over intense adversary that does well not to dwell on the depressing, director Julian Schnabel amazingly mines humourous streaks – the agony of an immovable fly on the nose – whilst also celebrating the wonders of perseverance, memory and imagination.
Choose film 8/10

Unlisted: The Muppets

Celebrating the best film I’ve seen this week that’s not on the list, first up its The Muppets. I mentioned recently that I’ve not had a lot of dealings with the muppets in the past, and I now realise I’ve lived a previously unfulfilled life, devoid of a required amount of felt to maintain the desired level of happiness.
The cloth characters latest outing both improves upon and acknowledges those that have come before it (I’ve read that Muppets in Space and Muppet Treasure Island aren’t as good as The Muppet Movie or Muppet Christmas Carol, but I intend to find out soon) and like those other films the plot is kept nice and simple – Muppet superfan brothers Walter and Gary (co-writer and real-life Muppet super face Jason Segel) go on holiday to LA with Gary’s long term girlfriend Mary (Amy Adams), where they discover that wealthy oil baron Tex Richman (Chris Cooper) plans to buy and destroy the Muppet Theatre, giving the duo a few days to round up their disbanded heroes and raise $10 million. Just like its predecessors, the film is packed with mostly recognisable cameos, including Alan Arkin, Sarah Silverman and a very game Jack Black, and the soundtrack, including a moment where Chris Cooper quite unexpectedly raps (it’s not that bad actually) and the Oscar winning Man or Muppet is amazing, written by Flight of the Conchords Bret McKenzie, and I shall be purchasing it soon.
Improving upon the first movie by never spending too much time on one character, there are still a few flaws. Most irritatingly, a detail from the finale – Walter’s talent – is not mentioned throughout the entire film, and is pulled out of a hat at the end, and the first half, whilst good, is nowhere near as entertaining as the second, once the show the gang are putting on kicks off. Hopefully we won’t have to wait another 10 years before the next Muppet film, though if we do I’m sure it will be worth it.
Choose film 9/10

 

The Secret In Their Eyes

This 2010 Argentinean story of a retired lawyer reliving a case from 25 years ago starts slow, but after about half an hour finds its feet, becoming a gripping, thought provoking thriller.

Benjamin Esposito (Ricardo Darin, excellent) has become bored of retired life, and wants to write a novel based on his most interesting case, that of the rape and murder of a 23-year old schoolteacher a quarter of a century ago. Flitting between his modern-day remembering with the upper class boss he never had the guts to say he loved and the case itself, the film is difficult to initially pigeonhole, as it can’t decide if it’s a crime procedural, romantic drama or nostalgia piece, and is overall too slow. A turning point is reached when the cinematography kicks it up a notch with the stunning scene that starts with the camera flying through the air towards a football stadium, dives into the crowd and on to our protagonist and his alcoholic assistant searching the throngs for suspects. Seemingly unedited we follow them as a chase breaks out behind the scenes, through a bathroom brawl, down quite a long drop and onto the pitch mid-game; stunning.
Though the case appears to be all wrapped up just after the half-way mark, yet solving the case isn’t the only hurdle that must be overcome for justice to prevail. Creatively shot, with characters usually framed by doorways, piles of books, paperwork or grimy windows, this plays out like a particularly classy episode of your favourite law-based TV series (don’t have one myself), and there is more tension in one brief, wordless elevator scene it’s almost unbearable. Some scenes, particularly early on, do not realise their full potential – a raid on an elderly woman’s house in search of evidence could have been more of a set piece, though there is a nice chuckle to be had at its payoff.

A worthwhile film who’s ending and key scenes will stay with you, but if the Hollywood remake in the cards ever come to fruition (and I hope it doesn’t) then they need to wprk on the start.

Choose film 7/10

Top 5… Directorial Debuts

For the first instalment of what will hopefully become a weekly addition to my little corner of the Internet, I’ve decided to look at some other first starts, namely the best first pictures of notable directors. These lists will only ever be made up of films that I’ve actually seen, so if there’s any glaring omissions (sorry, when) then chances are I haven’t caught up to it yet, or I dislike it for some ridiculous personal reason, like it stars Uma Thurman or doesn’t feature Steve Buscemi. If anyone disagrees with my choices please let me know, I’m always eager to discover new films. Oh, I’m not taking into account films made by people who haven’t done anything since, or anything good at least. I’m anticipating another top 5 in the future of One Hit Wonders. Also, I’m not going to go into great detail on these films, as most of them appear on the list. If they don’t I may make an exception.
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All About My Mother

Single mother Manuela (Cecilia Roth) lives with her only son Esteban as she works as organ transplant co-ordinator at the hospital. Her son believes his father is dead, but when a tragedy occurs, Manuela heads from Madrid to Barcelona in search of the boy’s father, where she ends up caring for a new brood, made up of Penelope Cruz’s demure nun, Antonia San Juan’s seasoned prostitute and Marisa Paredes’ legendary gay stage actress. The performances are all exquisite from a mostly female cast, and the plot is suitably diverse enough to remain unpredictable throughout, from the events to the tone of the picture, and a vibrant colour scheme adds to the sensual feel.

Choose film 7/10