A wanted sharp-shooter arrives at a busy saloon. A cowboy attempts to rob a small bank. A young limbless orator travels with his ageing, opportunistic handler. An old prospector searches for a hidden gold pocket. A betrothed woman finds herself travelling alone in a wagon train. Five strangers take a carriage ride together. These six stories make up the latest offering from the Coen brothers, a straight-to-Netflix western anthology of mostly consistent quality and impeccable casting. Continue reading →
Eddie Mannix (Josh Brolin) is a put-upon movie producer for Capitol Pictures in 1951. Over the course of one 27-hour period he must deal with rival gossip columnist twins Thora and Thessaly Thacker (Tilda Swinton), a rising western star (Alden Ehrenreich) being reimagined as a dramatic actor, much to the chagrin of his new director (Ralph Fiennes), the unexpected pregnancy of a swimming starlet (Scarlett Johansson), offers for Mannix himself to change to a high powered position in another company, as well as the supposed kidnapping of major star Baird Whitlock (George Clooney) by a Communist cell calling themselves “The Future” and the fall-out from Whitlock’s disappearance, which is delaying the production of a lavish epic. Continue reading →
Joan Allen’s Elena has been married to Kevin Kline’s Ben for 17 years. Ben is sleeping with Sigourney Weaver’s Jane, who is married to James Sheridan’s Jim. Jim and Jane have two sons, the creepy pyromaniac Sandy (Adam Hann-Byrd) and Elijah Wood’s more normal Mikey, who is sort-of dating Elena and Ben’s genitalia obsessed daughter Wendy (Christina Ricci) who, it transpires, is also the object of Sandy’s affections. Meanwhile, Wendy’s virginal brother Paul (Tobey Maguire) is desperately in love with his college classmate Libbets (Katie Holmes), and vies for her attentions with his much more confident roommate Francis (David Krumholtz). This ridiculously fractured love-dodecahedron forms the plot of this multi-stranded slow-boiler from Ang Lee, director of Brokeback Mountain and Hulk. Both sides of him are shown here, from his delicate handling of love stories to Maguire’s Paul discussing the depths of the Fantastic Four, and he ably handles all the aspects of the plot. There are many similarities with Todd Solondz’ Happiness, most notably the stellar ensemble cast and hard to watch yet easier to recognise situations the characters find themselves in. The film takes place over a relatively short period of time, with all the aforementioned relationships coming to a head during the particularly heavy ice storm of the title, with consequences both small and disastrous, yet a sense of humour is retained throughout, particularly during the swinging party.