Inglourious Basterds

In France during World War 2, SS Col. Hans Landa (Christoph Waltz) is known as the “Jew Hunter” for his propensity for catching Jewish fugitives hiding from the Nazi party. Meanwhile, Lt. Aldo Raine (Brad Pitt) has been tasked with building a team of his “Basterds,” predominantly Jewish-American soldiers sent in to kill as many Nazis as possible. Finally, Jewish cinema owner Shosanna Dreyfus (Melanie Laurent) has caught the eye of war hero Private Fredrick Zoller (Daniel Bruhl), whose exploits have been made into a film, Nation’s Pride, which Zoller aims to have premier at Shosanna’s theatre, only for her to hatch a plan to take out as many Nazi officers as possible.
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My Week in Movies, 2016 Week 5

Normally around this time of year I’d be desperately attempting to hoover up as many unseen Oscar nominees as possible in anticipation of the forthcoming Academy Awards ceremony that, more likely than not, I won’t actually watch given it finishes here at roughly 5am on a Monday morning (would it kill them to move it to Saturday night, really?). However this year I find myself somewhat unmotivated to do so, given how little interest I have in many of the films in contention. Of the 8 nominees for Best Picture I’ve so far seen just three (The Martian, Mad Max: Fury Road and Bridge of Spies). I’d quite happily see the likes of The Big Short, Room and Spotlight, but none of them strike me as films that are only suited to the big screen, so I feel almost obliged to simply wait them out until I can see them much more inexpensively within the comfort of my own home, especially given my recent reading of the novel Room upon which the film is based, which is very good and comes highly recommended from me, but with the story so fresh in my mind I just don’t think the film would have the required effect. The only film nominated for much that I’ve any real interest in seeing is The Revenant, as I’m certain that won’t be quite as effective back home, but thus far my attempts to seek it out have resulted in a faulty projector, a refunded ticket and a wasted half day’s holiday taken from work.
So as late February approaches I find myself caring increasingly less about what films and film-makers will be awarded much of anything come the big night. Amongst the other major categories the likes of Carol, Brooklyn, Trumbo and The Danish Girl all look very worthy but ultimately dull, and with the over-rated Inside Out seeming to lead the chase for Best Animated Feature (the only other contender being Anomalisa, which isn’t released here for another month) I can’t even get excited about that. But hey, in spite of all that I (just about) caught up on all my goals for January, but predictably that last minute dash burned me out a little so I’m now behind again just a few days later. When will I learn?
Also this week I finally got around to seeing the 12 Angry Men episode of Inside Amy Schumer. I’m pretty sure this show never made it to the UK which, having seen a few of the sketches on YouTube, I wasn’t all that upset about, but when I saw an online trailer for this particular episode I knew I had to watch it, because a) 12 Angry Men is one of my favourite films, and b) it features the likes of Paul Giamatti, John Hawkes, Vincent Kartheiser (Pete from Mad Men), Kumail Nanjiani, a bunch of other know-the-face guys and the almighty Jeff Freakin’ Goldblum. Having watched it I was not disappointed. For fans of the film there are a lot of references that pretty much all work, but the bit that had me dying was Juror #2 (Chris Gethard) saying “Oh bother” during an intense situation, because Juror #2 from the original movie (John Fiedler) voiced Piglet.

Here’s what I watched this week:
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6 Degrees of Separation Blogathon

SixDegreesofSeparationBlogathonLogoIt’s been a while since I’ve gotten involved in this kind of blogathon, however when Tom from At The Back nominated me, I couldn’t resist. It’s been set up by Nostra at My Film Views, and the original post can be viewed here.¬†Essentially, this blogathon asks each participant to connect one actor/actress/director/movie to another actor/actress/director/movie in six connections or less. I’ve been asked to connect The Birth of a Nation to Daniel Bruhl, because apparently I did something wrong in a past life, and am now being punished for it. Continue reading