Susie Salmon (Saoirse Ronan) is an ordinary 14-year old girl. She has a younger sister Lindsey (Rose McIver), an even younger brother Buckley (Christian Ashdale), a perfectionist father obsessed with building model ships in bottles (Mark Wahlberg), a stressed out mother (Rachel Weiz) who knits terrible headwear, an alcoholic grandmother (Susan Sarandon) and is developing her first crush on fellow schoolmate Ray Singh (Reece Ritchie). One day, however, Susia doesn’t make it all the way home from school. Whilst crossing a field near her family home she is lured into an underground bunker by her creepy neighbour George Harvey (Stanley Tucci), Harvey kills Susie, and the ramifications of this will throw her family into turmoil. Continue reading →
There is one benefit to my passing out during Looper last weekend, I’ve now managed to see director Rian Johnson’s second feature before seeing all of his third. It’s streaming on LoveFilm at the moment, so if you’re a member, go forth and watch it now, post haste. All being well, I’ll be seeing Looper before this time next week, and next Sunday should see my review. The Brothers Bloom seems on the surface to be far more straightforward than the high-school-noir Brick and time-travel-brain-twister Looper, but in reality its just as subversive as those two. Mark Ruffalo and Adrien Brody are brothers Stephen and Bloom, two con men who have been running scams since their early teens. Stephen (Ruffalo) is the brains of the outfit, and Bloom (Brody) always takes the leading role in the con. Roughly twenty five years after their first con, Bloom wants to quit, but Stephen ropes him in to one last job, conning Rachel Weisz’s ludicrously wealthy yet decidedly eccentric heiress Penelope from some money she’d probably never miss. Along with their near-mute accomplice Bang Bang (Rinko Kikuchi), the brothers set out to dupe Penelope from her riches, but who exactly is the victim in this game? Continue reading →
One love story is told across three wildly different time periods as Tom (Hugh Jackman) tries to cure his wife Izzy (Rachel Weisz) of her life threatening disease. Told in the modern day, Elizabethan era and a space-set future time, the film is beautifully shot and lit, effects created using different liquids dispersing into one another to create timeless yet phenomenal scenes. The story strands flow into one another, as the modern day surgeon struggles for a cure, a historic conquistador seeks to discover the fountain of youth and the slap-headed space traveller floats inside a giant bubble talking to – and occasionally eating – a tree. If this all sounds a little too much for you, you’re not alone, as this is a polarising film that many dismissed for being just too odd. The modern day segments are the easiest to follow, with a straightforward narrative, relatable characters and situations requiring minimal explanation. Director Darren Aronofsky (Requiem for a Dream, The Wrestler) alas does not have much of an eye for combat, with some of the past tense skirmishes coming across muddled and confusing, but otherwise this is a creative and visually stunning depiction of an otherwise done to death story.