Honourable mention: John McClane & Zeus Carver (Bruce Willis & Samuel L. Jackson), Die Hard With A Vengeance
OK, technically neither John nor Zeus (who does not look Puerto Rican to me) are taxi drivers, but at various points throughout this New York-set sequel they do drive a taxi, so technically they are taxi drivers, and therefore eligible for this list. I’ve loved Die Hard with a Vengeance since many years before I even saw Die Hard, and I think it’s the bickering relationship between the two that drew me to it. Specifically, I love the scene in which the two must make it across town in a very short amount of time, during rush hour traffic. The solution? drive straight through Central Park, ploughing through cyclists and pedestrians alike. This scene gives way to my favourite line in the film, when Zeus asks if McClane is aiming for the people, he replies “No, well, maybe that mime.” Other great taxi drivers I could have used are the pain in the ass sports fan who Cuba Gooding Jr. is lumbered with in Rat Race, Darwin (Edi Gathegi) the underused evolving mutant in X-Men: First Class, who we first meet driving a cab, Beauregarde from The Great Muppet Caper, Alan Ford in An American Werewolf in London, J B Smoove in Date Night and the terrifying, snarling, grotesgue “Ain’t much better in here, kid” guy from Home Alone 2.Continue reading →
Travis Bickle can’t sleep. He lives in New York and is up all night, so why not become a cab driver? Well, for starters, he hates pretty much everyone on the streets after dark, plus, he’s a potentially psychotic madman, with aspirations of saving, destroying or integrating himself into society, depending on the day. He spends his days pining for a campaign worker for a local presidential candidate, but when that relationship turns sour Bickle’s attentions turn to a young prostitute, whom Travis believes is in need of a saviour.
In Bloomington, Indiana, four aimless teenagers, fresh from leaving school for good, spend their summer days hanging out at the local quarry – where their fathers all used to work – and terrorising the students at the local university. One of the four, Dennis Christopher’s Dave, has recently become obsessed with cycling, specifically the Italian team, who are due to visit Bloomington that year. Dave aims to compete against them in a race, and also plans to take part in the university’s annual cycling event, which has recently extended its rules to include a team from the local town. Also, Dave meets a girl, and inexplicably pretends to be Italian in order to woo her. Continue reading →
Veronica (Winona Ryder) has integrated herself into the popular clique at her school, known as the Heathers, because the other three members are all named Heather (Shannen Doherty, Lisanne Falk & Kim Walker). However, Veronica’s existence isn’t as pleasant as she’d like, so when she meets the school’s new rebel JD (Christian Slater), the pair set about restructuring their environment, with unexpected outcomes. Continue reading →
During World War 2, it becomes evident that the Nazis are not only collecting countries, but famous pieces of artwork too. Not only that, but if Hitler is killed he has ordered that some of the hoarded pieces will be destroyed as well. In order to prevent this, a small team of art experts – none of whom are overly fit for duty – are sent in to retrieve and save the art. Continue reading →
Marie-Anne has something of a fractured home life. Her husband Ahmad, from whom she has been separated for four years, has returned from Iran to France at her behest to finalise their divorce papers, however his lack of reliability in the past left her with doubts of his arrival this time, so no hotel was booked and he is stuck sharing a room with Marie-Anne’s new boyfriend’s young son, whose mother remains in a coma. Add to this Marie-Anne’s rebellious teenage daughter Lucie, from the husband before Ahmad, who refuses to be even civil towards Marie-Anne’s new partner Samir, and a closet full of skeletons just desperate to fall out, and you’ve got a pot that’s not just simmering, but threatening to boil over. Continue reading →
At some point in the future, crime in the United States – specifically Detroit – has become so out of control that the only way to adequately police it is with robots. Sounds cool, right? Unfortunately, the first prototypes – lumbering bipedal tanks called ED-209s – have a slight flaw that sees them killing their targets even after they’ve given themselves up. When OCP – the company charged with defending the city – opts not to use the ED-209s, an alternative solution is devised. Instead of building a robotic policeman from scratch, why not combine a critically wounded officer with replacement limbs to create the ultimate policeman. So when Alex Murphy (Peter Weller) is all but killed on duty, he becomes the perfect test subject for this new directive. Continue reading →