My Week in Movies, 2015 Week 47

I listen to a lot of podcasts. A lot. I’d estimate I spend about 7 hour of each working day listening to them, with an additional hour or so in the morning and evening before work, walking the dog and such, so I get in a lot of listening. I’m subscribed to maybe 30 or 40 shows, most of which are film-related and most of which I try to listen to every episode of, postponing the occasional few until I’ve seen the specific films in question, but there was one show, one that’s not film-related, which I’d heard a great deal about last year but never got around to listening to until this past week, and that show is Serial.
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If you’re unfamiliar, the first season of Serial, released last year in 2014, was a twelve-part show documenting the re-investigation of a reporter, Sarah Koenig, looking into a murder trial from 1999 in Baltimore, Maryland. A man, Adnan Syed who in 1999 was _ years old, was convicted of the murder of his ex-girlfriend Hae Min Lee, but always denied the charge. Koenig was contacted by Syed’s family. who fifteen years later were still adamant of his innocence, and after a little digging Koenig found some interesting inconsistencies within the evidence of his case, prompting her to re-evaluate every morsel of information from the case. I downloaded the show when it gained popularity, but knew its serious content deserved my full attention. Last Friday I found myself at work trudging through a fairly monotonous task, so I decided now was finally Serial’s time. I marathoned six shows that day, and the latter six earlier today. Clearly, from the off I was hooked.

The case was fascinating, and it was truly interesting just listening to how the proceedings took place, how the evidence was gathered and the cases built. Too often I assume the depictions shown in films and TV are overly dramatised, and for the most part they are, but listening to this true life documentation I got a far greater insight into how these kinds of cases are really handled. I’d hoped for a more satisfying conclusion, but it was still a highly informative and gripping listen, and I’m very much looking forward to the next series, whenever that may come. Now, onto what I watched this week:
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Nashville

This review was originally written as part of my USA Road Trip at French Toast Sunday.

In Nashville, Tennessee, the birth-place of country music, several story arcs cross paths and words over 5 days, leading up to a big musical celebration and presidential election rally.N1 Continue reading

Sans Soleil

According to Wikipedia, Chris Marker’s Sans Soleil (literally translating as “Sunless”) is ” meditation on the human nature of memory,” so it seems only fitting how little I can remember of this film. As such this a review I’ll be writing more to cross it off than to say I’ve seen it, as what little I can recall is not something I wish to experience again.  sans_soleil
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My Week in Movies, 2015 Week 46

I was all set to regale you this week with my latest arduous tale of woe. This past week I suffered a loss so fraught, so traumatising, that I found myself at a loss with what to do with myself. I wandered from room to room, occasionally looking forlornly into the far distance as if momentarily considering some past lover or long forgotten moment from my youth. I’d sign, subtly shake my head a little then proceed with my day, knowing part of me was missing, out there, in the great wide world.

And then I found my lost notebook, and everything was fine. It had the notes I’d made on some of the overdue reviews I’ve yet to write (The Wages of Fear, Traffic, A Little Chaos, La Jetee and Sans Soleil, to be exact), and in the upheaval required to redecorate our guest bedroom/my podcasting lair it had gotten lost in the shuffle, but low and behold if it didn’t turn up under a pile of other notebooks. Who’d have thought? Anyway that’s why today’s review of Koyaanisqatsi went up a little late, as I’d intended to write a few more reviews over the weekend but only found the notebook last night. Champagne all round.

The aforementioned redecorating has severely limited by cinematic intake this week, but I did watch a few things. Here they are:
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Goldfinger

This review was originally written as part of my USA Road Trip for French Toast Sunday.

British secret agent James Bond (Sean Connery) has been assigned a mission to investigate a gold smuggler, Auric Goldfinger (Gert Fröbe). However, as the investigation deepens and Bond becomes embroiled within the plot, Goldfinger’s plan leads to plans to break into the U.S. Gold reserve in Fort Knox. connery Continue reading

My Week in Movies, 2015 Week 45

Spending my time catching up on pending reviews (Three more crossed off! Twelve still to go!) has seen me watching less review-necessary films in an attempt to prevent the pending list from growing ever further. However, I still have those gaps in my week that need filling with audio-visual content, so I’ve been watching more TV. Not just new stuff, I’m catching up on some older shows too. Specifically I’ve started watching Parks & Recreation, a show I’d heard was good but had never gotten to, mainly because I don’t think it ever made its way to UK TV. I’m three episodes into series 1 so far, and I hop it gets better. I’ve heard that it’s from series 2 onwards that the show finds its feet, and at the moment the characters and situations have potential, but just need to settle into themselves a little more. I could also do with perhaps a little less Amy Poehler’s Leslie Knope, who so far comes off as more annoying than endearing, but there’s enough going on to make me continue with the series and move onto number 2 when the time comes.
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Poltergeist (1982)

The Freeling family – Steven (Craig T. Nelson), his wife Diane (JoBeth Williams) and their kids Dana (Dominique Dunne), Robbie (Oliver Robins) and Carol Anne (Heather O’Rourke) live in  a large house within the new-build residential community Steven works as a real estate agent for. They lead a normal life dealing with everyday family problems, but shortly after work begins on the digging of a new swimming pool they begin to experience strange goings-on within the house. Carol Anne is found talking to the television static late at night. Chairs being to rearrange themselves in the kitchen. The tree outside Robbie’s bedroom window seems more menacing than usual. Then one day, when Robbie’s tree attacks him, Carol Anne is left alone in her room and, when her family goes to find her, it appears she has been sucked through a portal in her closet.
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Let the Right One In

Oskar (Kåre Hedebrant) is a lonely, outcast 12 year old boy living with his mother in a small apartment in 1980s Sweden. He gets bullied a lot, but is too frail, weak and introverted to fight back. That is until Eli (Lina Leandersson) moves in next door with an older man assumed to be her father, Hakan (Per Ragnar). She hangs around outside at night, doesn’t seem to feel the cold and gives off a feeling that there’s more than a little different about her. Mainly because she’s a vampire.
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Chinatown

Los Angeles, 1937. Jake Gittes (Jack Nicholson) is a private detective specialising in domestic cases. One day a woman (Diane Ladd) shows up at Jake’s office and hires him to follow her husband, Hollis Mulwray (Darrell Zwerling) who she suspects is having an affair. Jake tracks Mulwray and does indeed photograph him embracing a much younger woman. He gives the photos to Mrs. Mulwray, and soon sees them printed on the front page of the newspaper, only to discover that the woman who hired him wasn’t Mrs. Mulwray, and the real one (Faye Dunaway) is somewhat irked that her husband has been publicly humiliated and has now disappeared, and all this is just the start of a web on intrigue that leads further than Jake could have imagined.
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