When three men, claiming to be friends of his father, ask young half Native American Max Sand (Steve McQueen) the way to his parents’ depleted gold mine, Max doesn’t hesitate in giving them directions. Something seems up, so he heads after them, but upon arriving discovers the three men have tortured and killed his folks, even skinning his squaw mother, once they had found out the mine had only produced one nugget in the past two years. Max burns down the house, not wanting anyone to see his family in that condition, and heads out into the world with just his horse, a rifle, $8.00 to his name and a vivid memory of the three men who killed his parents, and who he will not rest until they have been killed by his hand.
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Author Archives: jaycluitt
Top 10… Movies With Title Songs
This week’s movie of the week over at the Film Vituperatum is Cabaret. Now, I didn’t submit a review for this because I watched and reviewed it during the period of my blog that I call ‘Reviewing for the Sake of It’ in which it was more important to me to watch, or at least sit through, a playing of the film, and record the briefest of comments upon it, as then I could get to the part I was most looking forward to, crossing it from the 1001 List (or whichever list it came from). a little while ago I decided this was ridiculous and wasn’t benefiting anyone, at which point I decided to try and expand upon my reviews. I’ve made the intention to go back and re-review some of the films I’d not given enough respect to in the past, but there are some films I’d really not rather watch again, and amongst those is Cabaret. If you really want to, you can read my 130-word review here, but personally I wouldn’t recommend it. Anyway, I wanted to do a list that somehow ties in with the movie of the month (this won’t always be the case, but it seems to be working so far). My initial idea was to do my list of Top 10 Worst Movies I’ve Ever Seen, in honour of Liza Minnelli’s cameo in Sex and the City 2 (second place, after Home Alone 4), but instead I opted for movies with songs in them of the same name as the film, as of course the film features Minnelli belting out the titular Cabaret.Hideous Kinky
Julia (Kate Winslet) has upped sticks from her one-bedroom London flat and moved to Marrakech after her partner cheated on her and left. Accompanying Julia are her two daughters, seven year old Bea (Bella Riza) and five year old Lucy (Carrie Mullan). Whilst in Morocco, Julia runs into financial difficulties and seeks romance, eventually finding it with street acrobat/quarry labourer Bilal (La Haine‘s Said Taghmaoui), before continuing to travel around the foreign lands with her children.
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The Skin Game
Mr. Hornblower (Edmund Gwenn) has just purchased a rented house from Mr. Hillcrist, under the circumstance that the former does not evict the long-standing tenants of the house, the Jacksons (Herbert Ross and Dora Gregory). However, as soon as Hornblower has bought the place the Jacksons find themselves homeless, which starts a familial war, or ‘skin game’ between the two families.Top 10 Worst Movie Mothers
Honourable mention
On the surface, Marion Ravenwood (Karen Allen) doesn’t seem to be too bad of a mother. She doesn’t do much wrong other than get herself kidnapped and wear the same forced, frozen smile on her face for the entirety of this intolerable movie. In fact, she’s done a fairly reasonable job of raising a son almost single-handedly, whilst maintaining a career along the way. Yes, that son has turned out to be Shia LaBeouf pretending to be Marlon Brando, but it could have been worse. Shia LaBeouf pretending to be Shia LaBeouf, for example. No, Marion’s crime is in denying her child, Mutt Williams, of the knowledge of his father’s true identity, that of [REALLY OBVIOUS SPOILER] Indiana Jones. What boy growing up wouldn’t want Indy to be his father? He’s possibly the coolest man in existence, and even with the lack of stability and large periods of time spent travelling the globe in search of historic artifacts and sexy historians, he’d still have been one hell of a father figure to look up to for any growing boy. Plus, she let her son go around with the nickname Mutt.Psycho
On a bright December Friday afternoon, Marion Crane (Janet Leigh) returns to work after some afternoon delight with her similarly cash-strapped lover Sam (John Gavin). When her boss sends Marion to the bank to deposit a client’s $40,000 in cash, on a whim she hastily backs her bags and flees with the money, but draws the attention of a road cop during her escape. When darkness and an incessant downpour prove too much for Marion, she checks into the run down, deserted Bates Motel, where she meets motel manager Norman Bates (Anthony Perkins), a kind yet awkward young man, unfamiliar with pretty young women entering his life. Norman’s bedridden mother disproves of the presence of Marion, and refuses to let her into the house, but this is no concern of the girl’s as she still has to plan what to do with the money.
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The Perks of Being a Wallflower
Charlie (Logan Lerman) is starting his first day of high school. He has no friends, a distant family, and is too painfully introverted to change any of this. Fortunately when he starts school he falls in with Patrick (Ezra Miller), Sam (Emma Watson) and their small group of “misfit toys,” who all help Charlie to realise who he is and what is important in life, and what may have led to the way he is.
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The Barbarian Invasions
Remy (Remy Girard), a college professor with a womanising history, is mere days away from death. His wife (Dorothee Berryman), from whom he separated fifteen years ago when he refused to give up his philandering ways, summons their son, Sebastien (Stephane Rousseau) to see him. Sebastien and his father have never been close, with the son playing the father for destroying the family, and the father being disappointed his son never became a cultured intellectual, even though he is now a fantastically wealthy international businessman. Sebastien uses his fathers last days to reconnect with his old man, and make his remaining time happy, by contacting his father’s old friends, disrupting the Canadian health system to get him a better room, and making an arrangement with a heroine addict (Marie-Josee Croze) to make his father more comfortable before the inevitable happens.
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Finding Neverland
London, 1903. Acclaimed playwright J. M. Barrie (Johnny Depp) has just written a play, Little Mary, but unfortunately it hasn’t done too well. When his maid cuts the review from his newspaper, Barrie spies Sylvia Llewelyn Davies (Kate Winslet) and her four young boys playing in the park and soon begins spending a great deal of time with them. He finds their exploits to be inspirational, and indeed they inspire within him the idea to write a new play, one that children can enjoy as well as adults, about a boy who never grows up.
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Strangers on a Train
You know how the weirdo on the train always ends up sat next to you? The smelly guy, the raging drunk or the raving lunatic? Well any of these would be preferable to Bruno Antony (Robert Walker), a wealthy but evidently psychotic passenger sat across the aisle from Guy Haines (Farley Granger), a promising semi-professional tennis player with political aspirations. You see, Bruno has a plan for the perfect murder, or rather, murders, and wouldn’t you know it but he not only has someone in his life whom he’d like disposed of (his overbearing father, Jonathan Hale), but he also knows Guy is in a similar position with his separated wife, Miriam (Kasey Rogers). Bruno’s plan is for the two of them to swap murders, as that way there’d be no clear motive for their crimes, and whilst Guy forgets all about this after departing the train, Bruno evidently means to carry out his plot, and its not long before Miriam has been slain, and Bruno is hounding Guy to take care of his side of the deal.