Johnny Ross (Felice Orlandi) is due to be the surprise witness at a mob trial in San Francisco, and needs protective custody to keep him safe over the weekend leading up to the trial. Politician Walter Chalmers (Robert Vaughn) is behind Ross’ appearance, and enlists the high profile Police Lieutenant Frank Bullitt (Steve McQueen) to run the operation, but as can be expected, not everything goes to plan.
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On it’s opening night, a 138-storey skyscraper is having a celebratory party on the 135th floor. However, due to corners being cut during production a fire breaks out on floor 81. It is up to the building’s architect Doug Roberts (Paul Newman) and Fire Chief O’Hallorhan (Steve McQueen) to try to save as many people as possible as the blaze intensifies.
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Whilst out on a date, two kids (Steve McQueen and Aneta Corsaut) see something fall from the sky. Upon investigating they find an old man with a strange amorphous substance covering his right hand. They rush him to the local doctor, but things get worse when the substance appears to grow and digest the arm’s owner, and no-one in a position of authority with believe the kids’ story.
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On the surface, Brandon has it all. He’s got a great job with colleagues he gets on with, a modern apartment in New York and a level of confidence and self-assurance that makes him a hit with the ladies. Plus, the dude looks like Michael Fassbender, which has to help a little bit. However, Brandon has a problem – several in fact. Firstly his work computer has just been taken away to repair a virus from all the porn he’s been downloading. Secondly, his messed up sister Sissy (Carey Mulligan) is about to fall back into his life. And thirdly, Brandon seems completely incapable of maintaining a relationship with anyone who doesn’t charge by the hour.
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The Oscar nominations were recently announced and, as usual, I’ve seen precious few of the films that were mentioned. As in, of the nine Best Picture nominees, at the time of nomination I had only seen two (American Hustle and Gravity, neither of whom I’m particularly fussed about winning). Well, now I’ve seen four, as I saw Wolf of Wall Street recently too (potential review pending). And, not to put too big a spoiler on my opinions of this film, but as far as I’m concerned those other five pictures I’ve still yet to see will need to be pretty damn phenomenal if they’ve got a chance of beating 12 Years A Slave.
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The year is 1926, just before one of the many Chinese revolutions. Jake Holman (Steve McQueen) is a ship’s engineer who has been transferred to a small run-down gunship named the San Pablo, or the Sand Pebble to her crew. Aboard the Pebble, Holman causes tension amongst the already tight-knit yet divided crew, which doesn’t help when the Chinese public attempt to instigate a war with the US. Continue reading
When three men, claiming to be friends of his father, ask young half Native American Max Sand (Steve McQueen) the way to his parents’ depleted gold mine, Max doesn’t hesitate in giving them directions. Something seems up, so he heads after them, but upon arriving discovers the three men have tortured and killed his folks, even skinning his squaw mother, once they had found out the mine had only produced one nugget in the past two years. Max burns down the house, not wanting anyone to see his family in that condition, and heads out into the world with just his horse, a rifle, $8.00 to his name and a vivid memory of the three men who killed his parents, and who he will not rest until they have been killed by his hand.
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England, 1943. Two US Air Force bomber pilots, Buzz Rickson (Steve McQueen) and Ed ‘Bo’ Bolland (Robert Wagner), are best friends, room-mates and regularly go on missions together during World War Two. When a bombing run is called off mid-flight due to heavy cloud cover, Buzz completes it anyway, and causes the death of several airmen in the process. His insubordination becomes a problem, but because he’s the best pilot they’ve got, the army is forced to keep him on. Meanwhile, Bo hooks up with Daphne (Shirley Anne Field), a girl dating one of the men in the downed plane. Buzz’s irresponsibility and Bo’s relationship pulls the two friends apart, especially when Buzz looks set to make a move on Daphne.
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1944, Montigny, France. At a rest area near the Siegfreid Line, Sergeant Larkin (Harry Guardino) is desperately trying to find a pen amongst his small band of men. Everyone is either using theirs, sees no need for one, sells dodgy ones or are in a similar state of searching for a writing implement. This scene, which does a good job of introducing the main characters and their various skills, roles and personalities, is one of very few scenes that sets it apart from essentially every other war film ever made.
The action is widely spaced out, and when the big climactic advance takes places, it’s mostly in almost total darkness, until Coburn picks up a flamethrower and sets about with it, but even that’s not for long enough. The mine-sweeping scene is admittedly very tense, but alas the outcome is fairly predictable, and its just a matter of waiting for the inevitable to occur. There’s also a nice early scene in a bar between McQueen and a woman in a bar, but once over it’s forgotten, which is a shame as it’s probably the best scene in the film. The camera following a dying man on a stretcher as it’s bearers strive to reach safety for him was a nice touch too, but sadly was lost amidst a sea of unoriginality.
The main focus of the film was on a relatively interesting subject – a small group of men trying to convince a large unseen foe that there were far more of them than in actuality, and they used some ingenious methods to do it, but other than the actual ideas on display I was far from entertained or engrossed. There are far more, and far greater, war films in existence, and I’m hoping the remaining three on McQueen’s resume are superior (I know The Great Escape is).
Choose life 5/10
A small farming community is being terrorised by a band of thieves and murderers, led by the charismatic but ruthless Calvera (Eli Wallach, previously only known to my girlfriend as the elderly neighbour in The Holiday). He and his gang steal almost everything worth taking from the villagers, leaving them just enough to carry on farming for another year, at which point Calvera will return and repeat the process over again. Sick of this injustice, three villagers head to the nearest saloon and recruit someone to either train or protect them, finding Yul Brynner’s Chris as the perfect fit for the role after he volunteers for something that could get him killed, and offers no reward – a situation very similar to that of defending the village. Chris then goes about assembling a team – you can probably guess how many – of similarly minded men based on Chris’ previous dealings with them or their reputations.
The line-up has since become a member of the great pantheon of Pub Quiz Questions – I can never remember Brad Dexter or Horst Buchholz, but I’ve won a DVD by naming James Coburn before. The remaining members are Charles Bronson, Robert Vaughn and, of course, Steve McQueen, who all have various reasons for signing up, be it running from the law, spotting a money-making opportunity or just plain boredom.
This is one of those films that I remembered through a rose-tinted haze as being a far greater film than it turned out to be. It’s not a bad film, not at all, it’s just not the stone-cold classic I had remembered. My main problem was in the amount of time it took for the Seven to assemble, and the attempts to shed doubt on whether certain members will join or not. It’s clear from the very title of the film that there will be a group of seven defending the village, but the group isn’t together until about halfway through the film! Also, I felt that for the most part enough screentime was given to each of the seven, except for Buchholz’s Chico being given far too much time as the young rookie looking to prove himself, and Coburn’s stoic knife-throwing Britt barely getting a look in after receiving the best introduction of the guys. I’m especially sore about Coburn because he’s my favourite character (and accent) in The Great Escape (coming soon), and he voiced Waternoose in Monsters, Inc. Most of the seven are given some kind of arc of character trait, but Britt’s appears to be just falling asleep under any available tree, and being completely unable to hide behind cover whilst shooting.
Based on The Seven Samurai, I had hoped to watch Akira Kurosawa’s classic epic before seeing The Magnificent Seven again, but alas my Steve McQueen adventures and requests from my weekly movie night made this impossible, but hopefully I’ll get to it soon. What I hadn’t realised is that this film was also remade (not as Battle Beyond The Stars, I haven’t seen that yet), but as A Bug’s Life. Granted, the plots aren’t identical, but there are some startling similarities. I’m not entirely sure how happy Charles Bronson would be to know he’d been recast as a ladybird.
There are some gloriously over the top death sequences, and the finale is a great shoot out, though it doesn’t compare to some other classic ones. It’s a very enjoyable film, but alas it’s not the one I remembered. Still the best Steve McQueen film I’ve seen so far on this journey.
Choose film 7/10
Life Vs Film 