In a semi-dystopian future London, Alex DeLarge (Malcolm McDowell) and his gangs of droogs (James Marcus, Warren Clarke and Michael Tarn) spend their nights terrorising the town, fighting with other gangs, beating up drunks and breaking into people’s houses, stealing valuables, and crippling and raping the inhabitants. When the gang turns against their leader, Alex is left injured at the scene of his latest crime and is sentenced to prison, wherein he attempts a new form of treatment set to “reprogram” him against his former behaviour.
Continue reading
Category Archives: 5-Star 500
Blind Spot: Raging Bull
Jake LaMotta (Robert DeNiro) was a middleweight boxer in 1940s and 50s New York. Known as something of a brawler both in and out of the ring, his animalistic tendencies, relationship paranoia and microscopic fuse often found him at odds with his brother Joey (Joe Pesci), second wife Vickie (Cathie Moriarty) and pretty much everyone else he met along the way.
Continue reading
The Godfather
Don Vito Corleone (Marlon Brando) is the head, or Godfather, of his family and crime syndicate in 1940s New York. He receives a request to move into narcotics by up-and-comer Sollozzo (Al Lettieri), but when Vito declines, the Tattaglia family, with whom Sollozzo is in business, attempt to kill Vito and break the Corleone family apart. With Vito in hospital, it is up to his children – headstrong firebrand Sonny (James Caan), simple Fredo (John Cazale), newly married Connie (Talia Shire), war veteran Michael (Al Pacino) and adopted Tom (Robert Duvall) to resolve matters.
Continue reading
Cléo from 5 to 7
Two days ago, singer Cléo (Corinne Marchand) underwent some tests to determine if she has stomach cancer, and how bad it is. She is scheduled to visit the hospital at 7pm, in two hours time, so whiles away the inbetween hours wandering the streets, first having her fortune told before going to a cafe with her maid (Dominique Davray), having a meeting with two musical collaborators (Serge Korber and Michel Legrand) spending time with a friend (Dorothée Blanck) before meeting a soldier (Antoine Bourseiller) in the park and eventually making her way to the hospital to receive her results.
Continue reading
Pulp Fiction
Jules and Vincent (Samuel L. Jackson and John Travolta) are hitmen working for a gangster by the name of Marsellus Wallace (Ving Rhames). They are tasked with retrieving a suitcase containing something belonging to Wallace from some low level associates. Later, Vincent is supposed to escort Marsellus’ wife Mia (Uma Thurman) for the evening. Meanwhile, Marsellus has recruited boxer Butch Coolidge (Bruce Willis) to take a dive in an upcoming boxing match. When Butch fails to do so, he finds himself needing to leave town as quickly as possible, or face Marsellus’ wrath.
Continue reading
The Adventures of Robin Hood
When King Richard is taken captive in Europe in 1191, his villainous brother Prince John usurps the throne, raising taxes dramatically and forcing many of his subjects into poverty. Enter Sir Robin of Locksley (Errol Flynn), the self-proclaimed greatest archer in the land, who amasses an army of townsfolk and loyal followers, with the intention of righting Prince John’s misdeeds, and winning the heart of Lady Marian (Olivia DeHavilland), who is to be wed to John’s right hand man, Sir Guy of Gisbourne (Basil Rathbone).
Continue reading
Rocco and His Brothers
This review was originally written for Blueprint: Review.
After the death of her husband, Rosario Parondi (Paxinou) takes her four youngest sons Simone (Salvatori), Rocco (Delon), Ciro (Cartier) and Luca (Vidolazzi) to stay with their oldest brother Vincenzo (Focás) in Milan. However, Vincenzo is trying to build his own life there, having just celebrated his engagement to Ginetta (Cardinale). The family are forced to stay in very humble lodgings, all sharing one room and not enough beds, whilst the boys struggle to find work in the city. Eventually the multitude of vices commonplace to city life begin to drive the brothers apart, especially by the beautiful yet troubled Nadia (Girardot).
Continue reading
Blind Spot: The Producers (1967)
Max Bialystock (Zero Mostel) used to be a hit Broadway producer, but a string of flops have left him hard up, forced to woo old rich old women to fund his latest endeavours. That is until easily agitated accountant Leo Bloom (Gene Wilder) shows up to go over his books, and strikes upon the idea that a devious producer could make a great deal of money raising funds for a show that is bound to flop. This sends Max on a mission to produce the worst show in town.
Continue reading
Brazil
Somewhere in the 20th Century, the world has become an Orwellian dystopia of farcical proportions. In a world where no mistakes are acknowledged, a random swatted fly falling into a typewriter causes a man named Buttle to be arrested in place of rogue terrorist heating engineer Harry Tuttle (Robert De Niro). Tasked with tying up the error’s loose ends is Sam Lowry (Jonathan Pryce), a menial yet essential worker within the Department of Records who his boss Mr. Kurtzmann (Ian Holm) would be lost without if he were ever promoted. Sam finds his quest to rectify the situation exacerbated by the likes of his plastic surgery-obsessed mother (Katherine Helmond), less than efficient government-employed heating technicians (Bob Hoskins & Derrick O’Connor), executive desk trinkets and his own dreams which see him flying around saving his literal dream girl (Kim Greist) from monstrous demons.
Continue reading
Network
The life and career of long-serving news anchor Howard Beale (Peter Finch) has taken a downward slide recently after his wife left him and he sank into drink, and his once high ratings have fallen to the point where his network, UBS, is forced to let him go. After being told he has just 2 weeks left on the air Howard broadcasts that in a week he will kill himself, live and during his show. Understandably he is immediately taken off the air by Frank Hackett (Robert Duvall), a rising executive surreptitiously taking over UBS from the inside, however Howard’s best friend and manager Max Schumacher (William Holden) is able to allow Howard one last show, for a chance at a dignified farewell, which Howard takes and runs with, instead offering up some frank and hard truths the general public eats up. Diana Christensen (Faye Dunaway), UBS’ new head of programming, sees potential in Howard’s popularity, and adapts his news show to suit, but what is more the important, the ratings or their host’s sanity?
Continue reading