The Tree of Life

This film was nominated for me to watch by Mette Kowalski of French Toast Sunday and the Across the Universe podcast. Some day I may forgive here for this.

When I put the call out for people to recommend films for me to review this year, I did so expecting to have differing opinions with some of the people who suggested the films. I know there’s a lot of people out there who don’t necessarily think the same way I do, which is what makes the world an endlessly wonderful/frustrating place to live in. Mette suggested two films for me, and they both came with warnings. The other suggestion (2000’s In the Mood For Love) arrived in disc form today, so I’ll be covering that soon, and apparently I’ll suffer through it, whereas The Tree of Life came with the claim that I’d either love it or hate it, but that I shouldn’t dare hate it. Sorry Mette, I’m feeling rather daring today.
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Invasion of the Body Snatchers (1956)

Upon returning home from a trip, small town doctor Miles Bennell (Kevin McCarthy) begins to suspect something is wrong. Whilst he was away, his nurse/receptionist informs Miles that he had a waiting room full of patients who all refused to tell her what was wrong, but now all these people are suddenly fine and well. Others complain that people they know aren’t whom they seem to be. On the outside everything looks fine, but there’s a feeling that something is missing. Then, one night whilst catching up with Becky (Dana Winter), an old flame back in town for the first time in 5 years, Miles is called out to an emergency. Friends of his, Jack and Teddy (King Donovan and Carolyn Jones), have found a body that seems to be in the process of forming an exact copy of Jack’s. Dun dun-duuuuuuuuun!
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Wuthering Heights

One stormy night, a traveller finds himself sheltering at Wuthering Heights, a rundown, morbid old house that we later learn used to be a home of joy and laughter. Warming himself by the fire, he is told by a servant the tragic story of Heathcliff and Cathy, which will apparently make him believe that ghosts can walk the Earth. Heathcliff, as a boy, was orphaned and then adopted from the streets by Mr. Earnshaw, who already had two children, Hindley and Cathy. The latter took a shining to the new boy, playing with him whenever possible and forging a firm bond, but her older brother saw this newcomer as nothing more than a stableboy, which is the position Heathcliff was reduced to when Mr. Earnshaw passed away and the property became Hindley’s by right. By this time, the adult Heathcliff and Cathy (Laurence Olivier and Merle Oberon) are obvisouly in love with one another, but their positions in society prevent them from doing anything about it. When their wealthy neighbour Linton (David Niven) falls for Cathy too, Heathcliff runs away, but seeing as this is a romance movie you know he’ll be coming back, and that it probably won’t work out all that well for everyone involved.
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Bram Stoker’s Dracula

In London, real estate agent Jonathan Harker (Keanu Reeves) is sent to Transylvania to handle the transactions of Count Dracula (Gary Oldman), leaving behind his young fiancée Mina (Winona Ryder). Jonathan gets held up at the Count’s castle, and Mina longs for the man she loves, whilst her friend Lucy (Sadie Frost) picks between three suitors, the gallant Lord Arthur Holmwood (Cary Elwes), the dashing American Quincey P. Morris (Billy Campbell) and the sweet-but-awkward Dr. Jack Seward (Richard E. Grant). Oh, and Dracula is a vampire.
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The Treasure of the Sierra Madre

Dobbs (Humphrey Bogart) is a down on his luck American trying to make ends meet in Mexico. He can’t get a job, and lives day to day by begging for handouts from other working Americans he sees around town. After a particularly bad stroke of luck, he and his friend Curtin (Tim Holt), who is in a similar state of fiscal disarray, hatch the idea to go prospecting in search for gold. They convince Howard (Walter Huston), a former prospector, to come with them and offer advice, and he warns the pair of the dangers of too much gold amongst friends, but Hobbs in particular is adamant that wealth won’t change him. That is, until they find some, and discover other people might be after it too.
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Wake in Fright

John Grant (Gary Bond) is the sole schoolteacher at a school in Tiboonda, with nothing for miles around except the bar and hotel on the other side of the train tracks. After breaking up for the 6-week Christmas holidays, John travels to see his girlfriend in Sydney, but gets waylaid in the Yabba (the local name for Bundanyabba), a town that pretty much everyone who lives there loves. The straight-laced John, who is stuck in his teaching job thanks to some legal shenanigans that would require him to pay 1,000 Australian dollars to get out of it, finds himself sinking deeper and deeper in the Yabba’s culture, gradually losing everything he held deer about himself.large_wake_in_fright_blu-ray2 Continue reading

Princess Mononoke

A young prince, Ashitaka (Billy Crudup), defends his home by killing a giant boar-god that has been corrupted by a monstrous force and turned into a demon, but in the process Ashitaka finds himself infected on his right arm. His only chance at survival is to be exiled from his city – to which he can never return – and seek the Spirit of the Forest and ask for forgiveness. However, when Ashitaka finds the forest, he uncovers a war between a nearby town, led by Lady Eboshi (Minnie Driver) and the animals and gods of the forest, led by the wolf-goddess Moro (Gillian Anderson) and her adopted human daughter San (Claire Danes), who is known to the townspeople as Princess Mononoke. In order to achieve the help of the Spirit of the Forest, Ashitaka must help resolve the conflict between the two factions, neither of whom seem to want his help.
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A Star is Born (1954)

Norman Maine (James Mason) is a world-renowned movie star who has it all, including a crippling drinking problem. His latest drunken antics see him disrupting a variety show he was supposed to be appearing at, and he finds himself dancing on stage with Esther Blodgett (Judy Garland), who was singing and dancing whilst accompanied by the Glenn Miller Orchestra. Esther has the wherewithal to turn Norman’s clowning into a comedic routine, and something inside of her catches the actor’s eye. Later that night, when his stupor has slightly worn off and he is scouring his regular haunts for a lady to take home for the evening (or rather, early morning by that point), there’s only one girl in Norman’s head. He finds Esther singing with the band at a deserted club, and offers her the opportunity of a lifetime; if she quits the band the next day, he’ll give her a shot at the big-time and make her a star.
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Ben-Hur

Judah Ben-Hur (Charlton Heston) is a Jewish prince in Jerusalem. He lives with his mother (Martha Scott) and sister Tirzah (Cathy O’Donnell), and has a good relationship with his slaves, including Simonides (Sam Jaffe) and his daughter Esther (Haya Harareet), whom it is obvious from the start will have some kind of romantic relationship with Ben, because she’s pretty. A childhood friend of Ben’s, Messala (Stephen Boyd) has returned home to be the new commander of the town, and wants Ben’s help to get the rebelling Jewish faction in line. Ben-Hur chooses his faith and his people’s freedom over his former friendship, so he and Messala become enemies. When Tirzah accidentally knocks some loose roof tiles and injures Judea’s new governor, she, Ben-Hur and their mother are locked up. Ben works on the slave ships, whilst his family are imprisoned in the dungeons. He then devotes his life to finding his way back to free his family, and enact his vengeance upon Messala.
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Andrei Rublev

Andrei Rublev sits in an odd position for me. As regular readers will know, this year I’m watching films that have been hand-selected from the 1001 Movies list for me to watch by some of my movie-blogging friends, and I’ve also asked a couple of guys who have finished the 1001 List to highlight some of the worst movies on said list, and I’m working through those as well. Andrei Rublev somehow sits on both lists. It was picked for me as a “Recommended” film by Joel Burman, but a “Bad” film by Chip Lary, so I wasn’t sure where I’d settle down on this film. The fact that it appeared on not just the 1001 Movies list but also four of the other five lists I’m going through (everything except for the Total Film Top 120) made me think that perhaps Chip was in the wrong with this one, but now that I’ve seen it I’m definitely swaying more in his direction than Joel’s.
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