Various aimless yet opinionated wander around early ’90s Austin, Texas, as we see short snippets of their lives. There’s no plot, and the camera follows characters seemingly at random, as soon as it’s done with one conversation, the speaker is abandoned and forgotten, never to be seen again as we track some other person go about their day.
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Whilst on a train returning home from visiting her grandmother in Budapest, Céline (Julie Delpy) moves seats when her journey is interrupted by an arguing couple nearby. She impulsively sits across from Jesse (Ethan Hawke), and the two soon strike up a conversation. When they arrive at his stop in Vienna, he asks her to join him as he spends the night strolling around the town before his flight back to America in the morning. What begins as a moment of spontaneity slowly grows into a life-altering encounter. Nine years later, we revisit the pair in Paris, and catch up on where they are in their lives and their relationship.
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After Baxter (Devin Eash) plays a YouTube prank on his older brother Calvin (Mark L. Young) and his friend J.J. (Adam Cagley), Calvin decides to take revenge. He sends Baxter on an online mission to find the mythical – and apparently fictional – ‘Movie 43‘, a video so foul and depraved that it’s been banished to the furthest corners of the internet, whilst Calvin fills Baxter’s laptop with pornography and viruses. Apparently the video will, if seen, bring about the end of humanity, the destruction of the world, and will make him pull his own penis off, and we are treated to all the videos that Baxter encounters on his search.
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On the planet Krypton, the elders have disrupted the planet’s core and caused it to begin to erupt. Everyone on the planet is doomed, except for a small, barely explained plot contrivance that allows one newborn baby to be launched in a pod and sent to another planet that will be hospitable to him, but where the atmosphere and density are different enough to provide him with extraordinary powers. Krypton explodes, but the baby arrives safely on Earth, where he lives his life as a loner, the last of his kind… wait a minute, didn’t I write this the other week? Hmmmm. Anyway, Kal-El…Earth…Smallville…the Kents…Metropolis…Lois Lane…Daily Planet…Kryptonite…Laser vision…flying…Superman.
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When a successful insurance salesman visits a client’s house to discuss the renewal of some expired car policies, the last thing he expected was to become embroiled in a plot involving murder and deception, yet that is exactly what happens when he meets his client’s beautiful yet scheming wife.
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Hello all, apologies for the lack of content recently, the house move isn’t going terribly well and my time is somewhat limited at present, but I’m working on putting some new stuff up in the near future. In the mean time, the start of my review of Edgar Wright’s Cornetto-wrapper The World’s End is below. I wrote the review for French Toast Sunday, one of my favourite sites on the web, and the rest of the review can be read there, link at the bottom of the page.
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A smalltime L.A. strip club owner out celebrating after settling his gambling debts soon finds himself at a poker table with the mafia. Things don’t turn out too well, and he ends up deeper in their pocket than intended. Instead of paying his way out, they offer him a deal – if he kills the eponymous small time Chinese bookie then his debt will be cleared. Initially the man is reluctant to take the deal, but once he accepts, the assassination attempt doesn’t play out exactly as planned.
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Ten strangers, all in need of money for various reasons, all apply for the same mysterious job, paying ¥112,000 (£744) per hour, for seven days. Upon arriving at the remote location they are instructed to enter an underground facility, into which they will be locked with only some simple rules to live by. Firstly, they must be in bed with the lights off by 10:00pm, and secondly, any incidents that arise must be dealt with by voting, with the ‘detective’ and ‘criminal’ in each case being rewarded. The doors will open again week, or when there are only two inhabitants left alive. Oh, and there’s a ceiling-mounted robot that patrols the complex, that will enforce the rules if required.
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Two men, sat in some sort of woodland, are swapping stories of unbelievable exploits they have encountered. One man, Francis, tells the tale of Dr. Caligari, a carnival performer with a somnambulist, or sleepwalker, who has been asleep for 25 years, but which Caligari will wake up as part of the show. As soon as the man and his attraction arrived in Francis’ home town of Holstenwall, strange murders began to take place, made even more bizarre by their apparent prediction by the sleepwalker. When his lady-friend seems likely to be the next victim, Francis attempts to uncover the truth behind the murders, starting with the prime suspect of Caligari, who may not be quite what he seems.
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In the small town of Bridgeport there lives a man named Bailey (Robert Mitchum). He leads a simple life running the town’s gas station with his deaf mute assistant (Dickie Moore), and frequently heads out with the town’s pretty girl-next-door Ann (Virginia Huston). He seems to be fairly well regarded by most people in the town – apart from Ann’s mother – but all this changes when a mysterious stranger named Joe (Paul Valentine) rocks up and takes Bailey away with him. You see, Bailey isn’t just a mild-mannered gas station owner. No, he has a past, and things are about to come out of it. Oh, I get where the title came from now.
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Life Vs Film 
