When she is forced to babysit her infant half-brother Toby, selfish teenager Sarah (Jennifer Connelly) invokes a goblin magic spell that summons Jareth, the Goblin King (David Bowie) to snatch Toby and take him to the Goblin Kingdom. Sarah has just thirteen hours to make her way through Jareth’s labyrinth to save Toby, or he’ll be turned into a goblin and will stay there forever.
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Whilst attending a carnival, well-to-do surgeon Mr. Treves (Anthony Hopkins) sees John Merrick (John Hurt), a 21-year-old man born with such severe physical disfigurements that he is displayed as “The Elephant Man”. After Merrick receives another in a series of beatings from his “owner” Bytes (Freddie Jones), Treves takes Merrick into the hospital and cares for the man, slowly uncovering the person behind the appearance.
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This review was originally written for Blueprint: Review.
Two boys, Alfredo and Olmo, are born within minutes of each other in January 1901. Alfredo is the grandson of landowner and family head Alfredo Berlinghieri (Burt Lancaster) whilst Olmo’s grandfather, Leo (Sterling Hayden), is a peasant and Alfredo Sr.’s foreman. The two boys grow up together, never forgetting their respective places within society and, once grown (into Robert DeNiro and Gérard Depardieu) they find themselves on opposite sides of a class struggle, exacerbated by the presence of fascist guards led by the new foreman, Attila (Donald Sutherland).
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Don Vito Corleone (Marlon Brando) is the head, or Godfather, of his family and crime syndicate in 1940s New York. He receives a request to move into narcotics by up-and-comer Sollozzo (Al Lettieri), but when Vito declines, the Tattaglia family, with whom Sollozzo is in business, attempt to kill Vito and break the Corleone family apart. With Vito in hospital, it is up to his children – headstrong firebrand Sonny (James Caan), simple Fredo (John Cazale), newly married Connie (Talia Shire), war veteran Michael (Al Pacino) and adopted Tom (Robert Duvall) to resolve matters.
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After an upper class dinner, the hosts and guests all adjourn to the parlour for after-dinner drinks and discussions. When the hour becomes late, the guests all decide to stay instead of heading home, sleeping on chairs and the floor instead of to some of the numerous bedrooms. Come the morning, still none of them leave, and they soon begin to wonder if perhaps there is some unseen force keeping them retained within the room.
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This review was originally written for Blueprint: Review.
When their mother passes away, three very different brothers return to their family home to pay their respects, but their opposing lifestyles and outlooks on life cause them to clash.
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Two days ago, singer Cléo (Corinne Marchand) underwent some tests to determine if she has stomach cancer, and how bad it is. She is scheduled to visit the hospital at 7pm, in two hours time, so whiles away the inbetween hours wandering the streets, first having her fortune told before going to a cafe with her maid (Dominique Davray), having a meeting with two musical collaborators (Serge Korber and Michel Legrand) spending time with a friend (Dorothée Blanck) before meeting a soldier (Antoine Bourseiller) in the park and eventually making her way to the hospital to receive her results.
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Jules and Vincent (Samuel L. Jackson and John Travolta) are hitmen working for a gangster by the name of Marsellus Wallace (Ving Rhames). They are tasked with retrieving a suitcase containing something belonging to Wallace from some low level associates. Later, Vincent is supposed to escort Marsellus’ wife Mia (Uma Thurman) for the evening. Meanwhile, Marsellus has recruited boxer Butch Coolidge (Bruce Willis) to take a dive in an upcoming boxing match. When Butch fails to do so, he finds himself needing to leave town as quickly as possible, or face Marsellus’ wrath.
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When King Richard is taken captive in Europe in 1191, his villainous brother Prince John usurps the throne, raising taxes dramatically and forcing many of his subjects into poverty. Enter Sir Robin of Locksley (Errol Flynn), the self-proclaimed greatest archer in the land, who amasses an army of townsfolk and loyal followers, with the intention of righting Prince John’s misdeeds, and winning the heart of Lady Marian (Olivia DeHavilland), who is to be wed to John’s right hand man, Sir Guy of Gisbourne (Basil Rathbone).
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This review was originally written for Blueprint: Review.
After the death of her husband, Rosario Parondi (Paxinou) takes her four youngest sons Simone (Salvatori), Rocco (Delon), Ciro (Cartier) and Luca (Vidolazzi) to stay with their oldest brother Vincenzo (Focás) in Milan. However, Vincenzo is trying to build his own life there, having just celebrated his engagement to Ginetta (Cardinale). The family are forced to stay in very humble lodgings, all sharing one room and not enough beds, whilst the boys struggle to find work in the city. Eventually the multitude of vices commonplace to city life begin to drive the brothers apart, especially by the beautiful yet troubled Nadia (Girardot).
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Life Vs Film 