Whilst guiding a team of fur trappers in the snowy North American wilderness of the 1820s, Hugh Glass (Leonardo DiCaprio) finds himself in a pretty poor state after being mauled by a bear whilst the group is fleeing a surprise attack from a Native American tribe they refer to as the Ree. Being unable to carry Glass back safely without endangering the rest of the team, captain of the party Andrew Henry (Domhnall Gleeson) requests Glass remain behind but be cared for and properly buried when the time comes. He leaves Glass under the protection of bitter, greedy trapper John Fitzgerald (Tom Hardy), naive and inexperienced Jim Bridger (Will Poulter) and Glass’ own half-Native American son Hawk (Forrest Goodluck). Circumstances arise that see Glass being abandoned with life still, barely, coursing through his veins, and he finds himself driven by vengeance against those responsible for abandoning him.
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In The Heat Of The Night
When wealthy businessman Phillip Colbert is found dead by a patrolling policeman in Sparta, Mississippi, Officer Sam Wood (Warren Oates) immediately assumes that the African American found loitering at the train station with excess cash in his wallet is the prime suspect, and his chief, Gillespie (Rod Steiger) is inclined to agree. That is until they discover the man, Virgil Tibbs (Sidney Poitier), is an acclaimed and learned homicide detective from Philadelphia, who had been waiting for a connecting train after visiting his mother. After being prejudiced against and treated poorly, Tibbs wants nothing more than to catch his train and head home, but his own captain insists he stay and, when Colbert’s widow (Lee Grant) makes the same demand after Tibbs shows more detective skills than the Sparta force, Tibbs and Gillespie have no choice but to work together until the case is solved.
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Inglourious Basterds
In France during World War 2, SS Col. Hans Landa (Christoph Waltz) is known as the “Jew Hunter” for his propensity for catching Jewish fugitives hiding from the Nazi party. Meanwhile, Lt. Aldo Raine (Brad Pitt) has been tasked with building a team of his “Basterds,” predominantly Jewish-American soldiers sent in to kill as many Nazis as possible. Finally, Jewish cinema owner Shosanna Dreyfus (Melanie Laurent) has caught the eye of war hero Private Fredrick Zoller (Daniel Bruhl), whose exploits have been made into a film, Nation’s Pride, which Zoller aims to have premier at Shosanna’s theatre, only for her to hatch a plan to take out as many Nazi officers as possible.
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My Week in Movies, 2016 Week 7
It’s been another spectacularly lacklustre week in terms of movies for me, in that I only watched one and wrote a grand total of zero reviews. I barely even got a podcast out, though I have guested on some others. So what have I been doing instead? Well, most of this week has been spent making origami lampshades whilst singing along to the Beauty and the Beast soundtrack because, y’know, I’m just like all the other 28-year-old men I know.

I did finish both the book I was reading (The Maltese Falcon, excellent) and all four seasons of The IT Crowd. I’ve yet to see the final double-length special from a couple of years ago, but I plan to see it soon. Season 4 is definitely my favourite, and the one I remembered most clearly. In particular episode 2, The Final Countdown, is a particular highlight. Anyway, here’s the only movie I watched this week:
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My Week in Movies, 2016 Week 6
Not much to report this week. I’ve been pretty busy so haven’t watched a lot and have written even less, but I’m working on it. I’ve started reading Dashiell Hammett’s The Maltese Falcon though, and that’s pretty damn amazing. I’m watching the film later this year, and am now significantly anticipating it. Here’s what I’ve watched this week:
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My Week in Movies, 2016 Week 5
Normally around this time of year I’d be desperately attempting to hoover up as many unseen Oscar nominees as possible in anticipation of the forthcoming Academy Awards ceremony that, more likely than not, I won’t actually watch given it finishes here at roughly 5am on a Monday morning (would it kill them to move it to Saturday night, really?). However this year I find myself somewhat unmotivated to do so, given how little interest I have in many of the films in contention. Of the 8 nominees for Best Picture I’ve so far seen just three (The Martian, Mad Max: Fury Road and Bridge of Spies). I’d quite happily see the likes of The Big Short, Room and Spotlight, but none of them strike me as films that are only suited to the big screen, so I feel almost obliged to simply wait them out until I can see them much more inexpensively within the comfort of my own home, especially given my recent reading of the novel Room upon which the film is based, which is very good and comes highly recommended from me, but with the story so fresh in my mind I just don’t think the film would have the required effect. The only film nominated for much that I’ve any real interest in seeing is The Revenant, as I’m certain that won’t be quite as effective back home, but thus far my attempts to seek it out have resulted in a faulty projector, a refunded ticket and a wasted half day’s holiday taken from work.

So as late February approaches I find myself caring increasingly less about what films and film-makers will be awarded much of anything come the big night. Amongst the other major categories the likes of Carol, Brooklyn, Trumbo and The Danish Girl all look very worthy but ultimately dull, and with the over-rated Inside Out seeming to lead the chase for Best Animated Feature (the only other contender being Anomalisa, which isn’t released here for another month) I can’t even get excited about that. But hey, in spite of all that I (just about) caught up on all my goals for January, but predictably that last minute dash burned me out a little so I’m now behind again just a few days later. When will I learn?

Also this week I finally got around to seeing the 12 Angry Men episode of Inside Amy Schumer. I’m pretty sure this show never made it to the UK which, having seen a few of the sketches on YouTube, I wasn’t all that upset about, but when I saw an online trailer for this particular episode I knew I had to watch it, because a) 12 Angry Men is one of my favourite films, and b) it features the likes of Paul Giamatti, John Hawkes, Vincent Kartheiser (Pete from Mad Men), Kumail Nanjiani, a bunch of other know-the-face guys and the almighty Jeff Freakin’ Goldblum. Having watched it I was not disappointed. For fans of the film there are a lot of references that pretty much all work, but the bit that had me dying was Juror #2 (Chris Gethard) saying “Oh bother” during an intense situation, because Juror #2 from the original movie (John Fiedler) voiced Piglet.
Here’s what I watched this week:
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January 2016 Update
Seeing as how all my aims this year are monthly, it feels right to keep you updated with a monthly update of them all. So here we go with January:
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The Breakfast Club
One Saturday, five kids from different social cliques are all brought in for a day’s detention. Over the course of the day, they’ll find that their generic labels – the athlete (Emilio Estevez), the princess (Molly Ringwald), the brain (Anthony Michael Hall), the criminal (Judd Nelson) and the basket case (Ally Sheedy) – may not reveal every detail about their respective personalities.
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Breakfast at Tiffany’s
In New York, a horrid freeloader by the name of Holly Golightly flitters through life utterly oblivious to how vile and despicable she is, mooching off everyone, never doing anything to benefit society and aiding criminals along the way. She receives a new upstairs neighbour, Paul Varjak (George Peppard), whom she insists on calling Fred because that’s how frustrating a creature she is. Paul is a semi-failed penniless writer working as a sort-of escort on the side. He is bemused by Holly’s lifestyle and inexplicably falls for her, despite her gold-digging tendencies and his own significant lack of funds.
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A Little Chaos
Kind Louis XIV of France (Alan Rickman) has commissioned a new garden for the palace of Versailles, and instructed his landscaper Andre (Matthias Schoenaerts) to the task. He interviews many different garden designer for the garden’s various segments, finally settling upon the alternatively-minded Sabine (Kate Winslet) for the role, much to the chagrin of the men who will be working under and alongside her.
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