Ellie Andrews (Claudette Colbert) is a poor little rich girl running away from her father (Walter Connolly) in order to be with her fiancé Westley (Jameson Thomas), whom her father disapproves of. She aims to take a bus from Florida to New York, but has never had to travel alone in the outside world before. Peter Warne (Clark Gable) has just been fired from his job as a newspaper reporter and happens to be taking the same bus as Ellie, who is trying to travel incognito, without the press getting wind of her situation. Ellie and Peter strike up an uneasy agreement wherein he’ll help get her to New York if she gives him the exclusive rights to her story once she gets there, but of course that’s not how it’s going to play out in the end.
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Pink Flamingos
This review was originally written as part of my USA Road Trip for French Toast Sunday. It was also suggested for me to watch by Lindsay Street of French Toast Sunday, and is amongst the supposed “Bad” movies suggested by Chip and Steve.

In northern Baltimore, Divine (Divine) is living under the alias of Babs Johnson after being heralded with the title of the Filthiest Person Alive, which evidently in this work is front page news. She lives in a trailer with her son Crackers (Danny Mills), her mother Edie (Edith Massey) and their travelling companion Cotton (Mary Vivian Pearce). More on them later. Upon learning of Divine’s notoriety a couple, Connie and Raymond Marble (Mink Stole and David Lochary), who believe they are the rightful recipients of the award, set out to prove they are far more filthy than Divine, and aim to bring her down in the process.
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The Thin Blue Line
On Thanksgiving weekend, 1976, policeman Robert W Wood pulled over a car for driving at night with no headlights on in Dallas, Texas. The car was stolen, which Wood had no knowledge of, and sadly he was shot and killed, with the car peeling away as Wood’s partner, one of the first female officers in Dallas, fired shots after it. The police investigation led to 16-year-old David Ray Harris, who had reportedly stolen the car from his neighbour and later bragged to his friends about committing the crime, but he pointed the finger at 28-year-old Randall Adams, a man new in town planning to start a new job, whom Harris had given a ride to and spent the day with.
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Spellbound (1945)
This review was originally written as part of my USA Road Trip for French Toast Sunday.
Dr. Constance Petersen (Ingrid Bergman) is a brilliant psychiatrist, but is lacking in bedside manner. She works at Green Manor amongst some quite sexist male colleagues and has never found love, until the new hospital director, Dr. Anthony Edwardes (Gregory Peck, and I’d love it if in E.R. Anthony Edwards played a Dr. Gregory Pecke, but alas life isn’t perfect) arrives to take over from long-term serving director Dr. Murchison (Leo G. Carroll). Constance and Edwardes become close but his behaviour concerns her, particularly his outbursts whenever he sees dark parallel lines against a pale background and, in digging into his past, Constance discovers that Edwardes may not be quite who he seems.
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The Conversation
In San Francisco, profession surveillance expert Harry Caul (Gene Hackman) is working on his latest assignment, recording a discussion between a man and a woman in a busy courtyard. Having successfully recorded their conversation, Harry begins to grow suspicious that passing on the recordings to his employer may result in some dire consequences for those involved, as happened to Harry on another job sometime ago, which directly caused the murders of three people.
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Lolita (1962)
Professor Humbert Humbert (James Mason) has a job as a French Poetry teacher lined up in Ohio in autumn, but until then he plans to spend the summer in New Hampshire, staying in the spare room of the widow Mrs. Charlotte Haze (Shelley Winters). It’s clear Charlotte takes an instant liking to Humbert, but he is instead infatuated with Charlotte’s 14-year-old daughter Lolita (Sue Lyon), who relishes this sudden influx of attention.
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The Smiling Madame Beudet
Madame Beudet (Germaine Dermoz) lives an unhappy live being mocked and tormented by her husband (Alexandre Arquillière). He works all day as a cloth merchant and ignores his wife when he comes home. He arranges tickets for them for the theatre to a performance of Faust but, when she declines to go, he pretends he will kill himself with a gun he keeps in a top drawer. Evidently he keeps the gun unloaded and uses this trick often to mock his wife. However, when he goes to the show with his associate and his wife (Jean D’Yd & Madeleine Guitty), Mrs. Beudet loads the gun in the hope that the next time he pulls the stunt he’ll follow through and kill himself.
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Garden State
Andrew Largeman (Zach Braff) is in a listless daze, working as a waiter/failed actor at a Vietnamese restaurant in Los Angeles when he receives a message from his father (Ian Holm) that his mother has died. Andrew returns home to New Jersey for the funeral, and ends up staying for a few days that will apparently change his life forever.
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Blind Spot 2016: Vote!
This year I’ve tried to take part in Ryan McNeil’s Blind Spot series over at The Matinee, wherein every month we cross off an unseen classic from our own blind spots. I’ve nearly finished, just got the last one to write up (The Conversation), and as it’s nearing the end of 2015 it’s time to decide what next year’s blind spots will be. And to do this I’m enlisting you fine folk to help me vote.
Below, and on the sidebar, there is a poll to vote for the films I’ll be watching next year. I’ll watch the 12 highest voted movies, so please be kind. They’re all taken from the 1001 Movies list, as indeed were this year’s. I’ll close the poll on New Year’s Day, and please vote for as many or as few films as you’d like.
Thanks for voting!
My Week in Movies, 2015 Week 51
This past weekend I decided to stop moaning and worrying about how many of my goals I’m going to miss and instead just get on with doing what I can. It’s unlikely – very unlikely – that I’ll complete at least two of them, but let’s try anyway, right?
Here’s what I’ve been watching this week: Continue reading