Christopher Emmanuel ‘Manny’ Balestrero (Henry Fonda) is a pretty ordinary man. He makes a living playing bass fiddle in a band, and takes his modest pay home to his wife and two sons, barely scraping by with the bumps life throws into the road. Manny’s kids are learning to be musicians like their father, he dutifully visits his ailing parents, and his wife Rose (Vera Miles) suffers from toothache, which means they need to borrow money against her life insurance to pay for the dentist bill. When Manny attempts to obtain this money, his life is suddenly throw upside-down as he finds himself caught in the midst of an incredible case of mistaken identity.
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Author Archives: jaycluitt
HitchcOctober Day 7: To Catch A Thief
John Robie (Cary Grant) is a former master cat burglar, who gave it all up during the war to become a hero of the French resistance. He now lives a life of luxury in the south of France, but when a string of burglaries starts up the police immediately puts Robie in the frame, causing him to go on the run. He hatches a plan using a connection within the jewellery insurance industry to scope out the next potential victims, believing the only way to clear his name is to catch the real burglar in the act. This brings him into contact with the wealthy Jessie Stevens (Jessie Royce Landis) and her beautiful daughter Frances (Grace Kelly).
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HitchcOctober Day 6: Lifeboat
In the midst of World War 2, a freighter is torpedoed by a German U-Boat, during which both ships sink. One lifeboat remains afloat, and is gradually filled with survivors, beginning with famous journalist Constance Porter (Talulah Bankhead), and eventually includeinga headstrong engine-worker named Kovac (John Hodiak), radio operator Stan (Hume Cronyn), nurse Alice (Mary Anderson), millionaire Ritt (Henry Hull), wounded seaman Gus (William Bendix), black steward Joe (Canada Lee) and mourning mother Mrs. Higgins (Heather Angel), whose baby has died in the incident. As if the situation wasn’t bad enough, the ninth person aboard their craft is Willi (Walter Slezak), the sole survivor of the U-Boat that sank their ship.
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HitchcOctober Day 5: Suspicion
Johnnie and Lina meet by chance on a train when Johnnie (Cary Grant) can’t afford a first class upgrade, and pays for it in pennies and a borrowed stamp from Lina (Joan Fontaine). Lina leads a relatively sheltered life, being bookish and introverted, whereas Johnnie is a serial blagger, flying by the seat of his pants without a care for cause or consequence. Naturally, these opposites attract and the two are soon married, against the wishes of Lina’s parents. Eventually, Johnnie’s extravagant lifestyle leads to financial woes, and Lina suspects Johnnie may have some untraditional methods of fixing them.
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HitchcOctober Day 4: Jamaica Inn
In Cornwall, England, a crew of hoodlums run a racket whereby they obscure the warning lights along the rocky coasts during a storm, then salvage all the goods from the ships that subsequently wreck, leaving no survivors amongst the crew – after all, if the gang is caught, they’ll all be hanged. The base of their operations is the Jamaica Inn, and when Mary (Maureen O’Hara) is sent there to stay with her aunt and uncle after her parents have died, she begins to uncover the full depths of the depravity.
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HitchcOctober Day 3: Number Seventeen
When a man chases his windblown hat into the courtyard of a creepy looking house, he goes inside to investigate. There he finds all manner of odd occurrences, beginning with a corpse on the landing, a strange man attending to the deceased, and a woman falling through the roof. When even more unusual people begin showing up, it’s clear something out of the ordinary is going on.
As with most of Hitchcock’s early films, I’d heard nothing about this film prior to watching it, so had very little to expect upon the viewing. As such I was pleasantly surprised to discover this relatively unknown gem, full of surprises, quirky characters and unusual occurrences. Unfortunately, the twisty nature of the plot, which sees you never further than a couple of minutes from the next revelation, character introduction or the revealing of someone turning out to not be whom they originally appeared, makes it relatively difficult to discuss without giving away any spoilers, seeing as there are so many to be given away! Considering the film clocks in at just a few minutes over an hour, that’s some impressive script work. It does render the plot a trifle confusing at times, but I got through it having largely understood everything that was going on, and without thinking a second viewing was required. Continue reading
HitchcOctober Day 2: Elstree Calling
This review was originally written for Blueprint: Review a few months ago, but I’ve saved it here for HitchcOctober!
In the late 1920s/early 1930s, Hollywood produced a number of musical and comedy revues; a selection of skits, dances and musical numbers, combined together into one long production, similar to a modern day Royal Variety Performance, but without the obligatory monarch amongst the audience. In response to these, Britain retaliated with Elstree Calling, a more comedic take that almost parodied the American counterparts, whilst still showcasing a range of talented performers from the time, and linked together by a sporadically inept compère, a desperate Shakespearean performer (the greatest Shakespearean actor in captivity) and a man attempting to re-tune his television set to watch the broadcast at home.
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HitchcOctober Day 1: Re-Cap
It’s HitchcOctober! I’ve been meaning to do this for years, and now I finally am, huzzah! Both Life Vs Film and French Toast Sunday are devoting the month of October to the films of Alfred Hitchcock, so I’m starting things off with a run-through of all the Hitchcock films I’ve reviewed so far. I’ve ranked them in order from worst to best, and intend to do the same again come the end of the month, but with a significantly longer list, as I should have crossed off a fair few more from his filmography. So, for now, check out my thoughts on some of his movies:

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Captain America: The Winter Soldier
When we last saw Steve Rogers, aka Captain America (Chris Evans), the scientifically advanced super soldier had been frozen during the Second World War and defrosted in modern day, where he helped sort out the attack from Loki and the Chitauri in The Avengers. Now he’s dealing with a threat that’s much closer to home, when it appears SHIELD, the company he works for, may be a little more corrupt than he anticipated.
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Mulholland Drive
In L.A., a woman survives a late night car crash but loses her memory and can’t even remember who she is. Meanwhile, a plucky young hopeful arrives in town with dreams of being a star, and a director must deal with the demands of his powerful producers, who will stop at nothing to force him to hire their chosen leading lady. All three storylines will converge and attempt to merge into one another, at which point they turn into a completely different film that makes no sense. Trying to work out what is going on will result in crying, throwing things at the screen, substance abuse and, eventually, giving up and wondering just what the big deal was about.
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